Today, Drew and Spencer are discussing C.O.W.L. 9, originally released March 18th, 2015.
Drew: I once saw a Q&A session with The Wire creator Dan Simon where he had to defend a moment that one audience member saw as a crack in the realism of the show. I don’t remember Simon’s exact words, but his answer boiled down to the fact that the show isn’t real — sometimes, the creators would knowingly break from absolute fidelity in order to elicit the appropriate emotional response from us. Everything we saw on that show, just like any number of less realistic narratives, was there for our benefit, not because it’s 100% true to life. What’s funny to me is that the fan’s complaint wasn’t with the credulity-straining Hamsterdam or serial killer plotlines, but with the body language of an uncredited, unnamed character. I suspect the reason those bigger pieces of fiction get a pass is because we want them to happen. The Wire does such a good job of detailing how the system is broken, we can’t help but cheer when a character attempts to buck it. It’s cathartic, so we overlook that it’s also kind of batshit. I found myself thinking the same thing about Radia’s catharsis in C.O.W.L. 9, which is so necessary, it really doesn’t matter how unlikely it is. Continue reading