Velvet 8

Alternating Currents: Velvet 8, Drew and GregToday, Drew and Greg are discussing Velvet 8, originally released November 5th, 2014.

Drew: Did you enjoy Skyfall? I enjoyed it well enough, but found myself staunchly defending it — specifically from attacks that suggest that the film ripped off the “villain gets captured as part of the plan” plot points from The Dark Knight and The Avengers. I can’t deny the similarities — it does indeed pose a classic example of what TV Tropes and Idioms identifies as the “Batman Gambit” — but what irked me is how myopic the argument is. The Batman Gambit is much, much older than either The Avengers or The Dark Knight (indeed, the name “Batman Gambit” is based on instances of the device from comics that long predate Christopher Nolan’s trilogy, and has been used in everything from Die Hard to Reindeer Games), so to suggest that Skyfall‘s use of the devise is derivative, it must also be true of The Avengers and The Dark Knight. My point is, I’m willing to forgive the use of a trope if it’s done well, and I’d argue that Skyfall does it better than those other two films.* All that is to say that I enjoyed Velvet 8‘s own Batman Gambit for precisely the same reason: it’s really well done. Continue reading

Velvet 7

velvet 7Today, Greg and Drew are discussing Velvet 7, originally released September 10th, 2014.

Greg: When’s the last time you dorked out in public? For me, “dorking out” is a simultaneously freeing yet embarrassing experience. The feeling of visceral pleasure and physical high you get from an unbound joy something gives you, crashing into the realization that the folks you’re dorking out too don’t have much of a frame of context, and can’t join in. I once spent five minutes dorking out over a long-take fight scene in Skyfall to my parents, who in response, coughed awkwardly and said “That sounds nice.” They’re gonna have to look out, though, because Velvet is so staggeringly good and checks every box of stuff I love, that it’s 100% being added to my “dork-out” pile.

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