Today, Patrick and Drew are discussing Sex Criminals 16, originally released February 15th, 2017. As always, this article contains SPOILERS.
Patrick: Matt Fraction and Chip Zdarksy’s Sex Criminals plays with some very big, very difficult ideas. The thematic engine of this series spits out hard questions about identity, sexuality, morality and mental health, but it runs on moment-to-moment action. I’m talking about “action” in the basest sense — Jon and Suzie may have the power to stop time and rob banks, but no one is tuning in for that spectacle. I mean “action” like how we follow one statement from the speaker to its audience, tracking the psychological cause and effect in every second of the interaction. That’s what allows Fraction and Zdarksy to find the drama in Jon repeating “I don’t know how to do this.” His is a prison of inaction, of apathy. In highlighting the action that doesn’t really seem like action, Fraction and Zdarsky drastically alter the speed and intimacy of the story they’re telling. Continue reading →
Today, Patrick and Ryan D. are discussing East of West 31, originally released February 8th, 2017. As always this article contains SPOILERS.
Patrick: In our write-up ofEast of West 16, over two years ago, Drew made the observation that this series “is no fun, but it might be important.” I have long considered “no fun” to be one of the more damning criticisms of this series. For all of its interesting, impactful ideas and harsh truths about human nature and the corrupting influences of power, greed and faith, East of West seldom has an enjoyable narrative to buoy its grim headiness. I now believe this to be the point. With pages and pages of static boardroom scenes, we are meant to feel the excruciatingly dull banality of evil. Writer Jonathan Hickman and artist Nick Dragotta only allow their creation to be truly exciting when the good guys actively resist the powers oppressing them. Continue reading →
Today, Drew and Patrick are discussing Moonshine 5, originally released February 8th, 2017. As always, this article contains SPOILERS.
I’ll only do nudity if it’s important to the plot.
Drew: I can’t remember when I first heard this sentiment, but I can guess with 100% certainty the gender of the person who said it. Actresses use this line to justify the choice to disrobe, but the fact that they need any kind of criteria speaks to how often they might be asked to do nude scenes that aren’t important to the plot. More importantly, I’ve never heard a male actor express anything similar to this, because male nudity is so rare — they don’t need a rule for deciding which nude roles to take because they’ll likely never be offered one in the first place. Curiously, because male nudity is so rare, it necessarily has more impact, making it feel more “important” than even the most “essential” female nudity — I can count the number of times I’ve seen male nudity in films on one hand, but I’m certain I’m remembering all of them. This may be a tellingly long-winded way of saying I want to talk about Lou Pirlo’s wang, but damnit, I think it’s important. Continue reading →
Today, Spencer and Drew are discussing The Wicked + The Divine 26, originally released February 8, 2017. As always, this article contains SPOILERS.
Spencer: Set in the aftermath of Ananke’s death, “Imperial Phase (Part 1)” has been an arc all about figuring out what to do next. Last month’s cliffhanger finally presented a tangible threat in the form of the Great Darkness (or at least some of its agents), but if you thought that’d be enough to unite the Pantheon against a common enemy, you’d be sadly mistaken. The Wicked + The Divine 26 finds these gods as divided and lost as ever…and perhaps suggests that’s the way they’re meant to be? Continue reading →
Today, Patrick and Spencer are discussing Paper Girls 11, originally released February 1, 2017. As always, this article contains SPOILERS.
1. an unexpected punch or blow.
Patrick: There’s not much that happens in Paper Girls that is expected, so it might be kind of hard to notice when the series is actually delivering unexpected blows. I mean, when you’re tumbling through time and space, what actually counts as “unexpected” anymore? That could be a tension killer, but under the measured eyes of Brian K. Vaughan and Cliff Chiang, a constant stream of sucker punches becomes an unsettling canvas. Continue reading →
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Jem and the Holograms 23, Reborn 4, and Saga 42. Today we also discussed Teenage Mutant Ninja Turtles 66, and we’ll be discussing Star Wars 27 on Tuesday and Animosity: The Rise 1 on Wednesday, so come back for those! As always, this article contains SPOILERS.
Today, Spencer and Ryan D. are discussing Descender 18, originally released January 18th, 2017. As always, this article contains SPOILERS.
Spencer: In Descender‘s earliest issues, Tim-21 was easily its star attraction. That’s not to say I didn’t love everything else the series had to offer; it’s just that the sweet, adorable, largely helpless companion bot instantly captured my heart. Throughout their third and fourth arcs, though, Jeff Lemire and Dustin Nguyen have doubled-down on fleshing out the rest of their cast, allowing them to keep pace with Tim’s massive appeal. Descender 18 feels like the culmination of this work, yet throws in an ironic twist; the series distances itself from Tim-21 just as he becomes more important than ever to its central mythology. Continue reading →
Today, Drew and Michael are discussing Kill Or Be Killed 5, originally released January 18th, 2017. As always, this article contains SPOILERS.
A bad workman always blames his tools.
Drew: People don’t like to accept responsibility for their failures. If there’s anything else that can take the blame, it probably will. Of course, there’s always something that can take the blame — even absent tools, we can blame vague forces like “office politics” for holding us back. Indeed, when there are no more tangible forces to pin our failures on, we’ll will sooner make up concepts like fate than hold ourselves accountable. As with any tool blaming, that equation is flipped when things are going well — our successes aren’t the result of outside forces or inanimate objects, but our own effort and ingenuity. Taken to the extreme, that illusion can utterly disorient our ability to judge our own actions; if we can effectively do no wrong the very notion of “wrong” loses all meaning. This is the precipice Dylan finds himself on in Kill Or Be Killed 5, as he attempts to reconcile his actions with his own sense of morality. Continue reading →
Last week, we started a conversation about Curse Words 1. The issue hadn’t been released at the time and there’s an awesome twist at the end that we knew we had to discuss somewhere. If you haven’t read the issue yet, maybe check out that spoiler-free discussion, and then come back here for our conversation about That Big Twist. You’ll know it when you see it. Obviously, SPOILERS follow.
Patrick: So, okay, like 95% of this story is pretty well-examined territory in fantasy and science fiction right? An outsider from another world visits our own and falls in love with the places and the people and decides to make a home of Earth. Or protects it or whatever. Where Charles Soule and Ryan Browne’s first issue delightfully subverts that narrative by demonstrating that, while New York city has charmed Wizord, it hasn’t exactly made him a better person. For real, spoilers ahead.
Today, Patrick and Drew are discussing Moonshine 4, originally released January 11th, 2017. As always, this article contains SPOILERS.
“How happy is the blameless vestal’s lot! The world forgetting, by the world forgot. Eternal sunshine of the spotless mind! Each pray’r accepted, and each wish resign’d?”
Alexander Pope, “Eloisa to Abelard”
Patrick: Context is an important part of the modern conception of identity. When you meet someone, you ask what they do, where they’re from, who their family is. You’re not so much asking them to look within in themselves for definition, but outward to the relationships and roles shape them. But that is a frustratingly limited definition of identity, and one that leaves the identifier out of the equation entirely. Pope’s poem quoted above meditates on the serenity granted to the person that is courageous enough to both forget and be forgotten by the outside world. Only stripped of context can we ever hope to discover who our character truly is. That’s the situation that Lou Pirlo finds himself in — his stuttering past holding him back from realizing his true potential. What he sees as “holes” waiting to be filled are actually blissfully empty memories. Continue reading →