Detective Comics 21

detective comics 21

Today, Patrick and Scott are discussing Detective Comics 21, originally released June 5th, 2013.

Patrick: Ah, yes: Detective Comics. I believe we’ve dropped this title twice, a dubious honor it shares with Batwing. We keep coming back to the old girl because we’re tempted by a new creative team or a character that we like. I mean, it’s already Batman, so it’s got a better than average chance at entertaining me from the get-go. However, after checking in with it this month, I’m reminded of the list of reasons we put this title down in the first place. It’s not a disaster by any stretch of the imagination, but it lacks so much of the DNA of a Batman story that it starts to feel like something else entirely. Continue reading

Batman 18

batman 18Today, Mikyzptlk and Scott are discussing Batman 18, originally released March 13th, 2013.

Mikyzptlk: The death of a loved one is something that is incredible hard to face. It’s also got to be something incredibly hard to write about, especially when you have to do so in a superhero comic where action and adventure is normally the name of the game. With the recent death of Robin The Boy Wonder, the Bat-writers have been tasked to deal with his death in their own way. Scott Snyder manages not only to continue the story of his new character Harper Row, but seamlessly and organically ties her story into the death of young Damian Wayne.

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Batman 12

Today, Patrick and Drew are discussing Batman 12, originally released August 8th, 2012.

Patrick: Scott Snyder’s run on Batman has been fantastic. The 11-issue Court of Owls story-line is going to go down in history as one of the best Batman stories ever, and there are precious few titles in the New 52 that can claim the same level of quality. So, I approached this first post-Owls issue tentatively: would I discover that I was enamored with Snyder’s Owls, and not Snyder’s Batman? What we have in issue 12 is about as radical a departure as we could have asked for – the story is self-contained; the scope of the story is small; and Batman himself doesn’t make an appearance until page 14. But in this gear-shift, Snyder asserts that he’s in it for the long haul, and committed to delivering excellence in Batman, no matter what story he wants to tell in Gotham City.
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