Today, Spencer and Mark are discussing Superman 22, originally released May 3, 2017. As always, this article contains SPOILERS.
Spencer: DC’s double-shipping initiative has created quite the creative dilemma: how do you handle art duties with a schedule that makes it impossible for a single regular artist to handle every issue? Most titles have found a regular roster of artists to cycle through, but Superman adds an interesting wrinkle to that concept — while there are several artists who have consistently lent their talent to the book, co-writer Patrick Gleason is clearly its “main” artist, whose work is usually saved for the most important issues and stories. Such is the case with “Black Dawn,” the culmination of Gleason and Peter Tomasi’s first year of Superman stories. Gleason illustrated “Black Dawn’s” first two chapters, but Doug Mahnke takes over for its third installment. The switch in artists could be jarring, but Tomasi and Gleason incorporate it beautifully, using the opportunity to switch the perspective of their story entirely. Continue reading →
Today, Michael and Patrick are discussing Super Sons 3, originally released April 19th, 2017. As always, this article contains SPOILERS.
Michael:Super Sons 3 picks up where we last left our boy wonders: Robin vs. Superman and Superboy vs. Batman. The pair quickly discover that they are not fighting their superdads, but instead robot duplicates. Despite their best efforts and hero poses, they prove unsuccessful in taking down their robodads without the help of Sara Duffy — you know, of the short-lived Super Duffys. After the events of Justice League’s “The Amazo Virus,” the Duffys were one of the three percent of the population that kept their superpowers. Following a brief stint of an Incredibles-esque family super team, Sara’s brother Reggie aka “Kid Amazo” went nuts and made his family the hostages we saw in previous issues of Super Sons.Continue reading →
Today, Michael and Patrick are discussing Batman 18, originally released March 1st, 2017. As always, this article contains SPOILERS.
Patrick: Two weeks ago, Drew made a pretty convincing argument that Tom King’s Batman is attempting to synthesize all canonic and non-canonic versions of Batman. References to both Arkham Asylum: A Serious House on A Serious Earth and Christopher Nolan’s Dark Knight trilogy seemed to suggest that all of the Batman franchise’s greatest hits were implicitly in play, even during the main-continuity run in DC’s flagship series. With all of those connections freshly in-place, Batman 18 starts to negate some of the commonly held beliefs about the character, hinging almost all of the real-time drama of the piece around Batman’s simple utterance of the word “No.” Continue reading →
Today, Michael and Taylor are discussing Super Sons 1, originally released February 15th, 2017. As always, this article contains SPOILERS.
Michael: “What a delight!” I found myself saying after reading Pete Tomasi and Jorge Jimenez’s Super Sons 1. Super Sons has arguably been one of the most anticipated Rebirth books ever since Jim Lee threw in Damian Wayne and Jon Kent on that teaser poster that your comic book shop gave you back in June. Tomasi and Superman co-writer Patrick Gleason gave us a taste of what to expect from this series a few months ago, and Super Sons 1 carries on that joyful vibe without stumbling.
Today, Michael and Patrick are discussing Batman 16, originally released February 1, 2017. As always, this article contains SPOILERS.
Michael: Now THAT’S what I’m talking about! I’ll admit to being a little lukewarm in my reception of the initial arcs of Tom King’s Batman run but I’d say that “I Am Bane” is off to a great start. Maybe it’s because I’m always rooting for a quality Bane story or maybe it’s because I love seeing the Robin club acting like a smarmy group of brothers. Either way it feels good to be excited about what direction Batman is headed in once again. Continue reading →
Today, Michael and Patrick are discussing Superman 11, originally released November 16th, 2016. As always, this article contains SPOILERS.
Michael: Superman 11 concludes the fantastic and fun “World’s Smallest” arc/prelude to the upcoming Super Sons series. Batman, Superman and Alfred have devised a series of tests for Jon and Damian to overcome by working as a team. With Robin: Son of Batman’s Maya Ducard and “not a man-bat” Goliath in on the fun, Superman 11 is a complete Patrick Gleason/Pete Tomasi partnership. With its classic approach of the character, Superman has consistently been one of the best Rebirth titles. But by throwing Damian Wayne into the equation Tomasi and Gleason up their game exponentially. Continue reading →
Today, Spencer and Mark are discussing Nightwing 9, originally released November 16th, 2016. As always, this article contains SPOILERS.
Spencer: If you go back and read my reviews of recent Nightwing issues, I’m on record as calling this run “grim” more than once. I’m still a bit puzzled as to why writer Tim Seeley has filled Dick with so much angst, but at least Nightwing 9 is an acknowledgement of this trend, and seemingly an active move away from it. It’s a refreshing look at why Dick Grayson is such a powerful character in the first place. Continue reading →
Today, Michael and Spencer are discussing Nightwing 1, originally released July 27th, 2016.
Michael: I find it kind of odd that as popular and enduring as Dick Grayson is, he’s constantly going through a series of status quo changes: Robin, Nightwing, Batman, Agent 37 and back to Nightwing again. Change is life, both in our three dimensional world and comic books’ two dimensional one. But the ground under Dick Grayson’s feet seems to shift moreso than other characters. Is it because comic-dom loves him so much and wants to keep him fresh? Is it because we don’t really know what we want for him? Nightwing 1 would have us believe that Dick’s always on the move because of his hectic circus upbringing, which is a plausible explanation, but I don’t know if I quite buy it. Continue reading →
Today, Spencer and Michael are discussing Robin: Son of Batman 11, originally released April 20th, 2016.
Spencer: Every once in a while you stumble across a premise so unique, exciting, or just plain off-the-wall bonkers that you have to check the story out. More often, though, a story will feature a more standard premise, and it’s up to the creative team to make those familiar ideas feel fresh, either by finding a new angle to explore the concept from, by using it to explore their cast in a novel way, or simply by having as much fun with it as possible. Sadly, Robin: Son of Batman 11 does none of these things. The Lu’un Darga are the definition of cliched, stock villains, and Ray Fawkes and Ramon Bachs do nothing to liven them up. Continue reading →
Today, Ryan M. and Spencer are discussing Gotham Academy 17, originally released April 13th, 2016.
Ryan M.: I’m a bit embarrassed to admit this. It’s a black mark on whatever music-listening cred I have, but this is a safe forum, right? Here is my dark secret: I really like “best of” albums. It’s a single place to hear the breadth of a band’s sound. My first Violent Femmes album is Add it Up and the only full Talking Heads album I own is a two-disc compilation. Greatest hits or Best Of compilations function like those Best American anthologies that flood Barnes and Noble every Christmas. While I don’t like the idea of having someone else curate my experience, it is great to know that you are going to get the best of what a band has to offer. It’s like a one-band mix-tape (another thing I love, though I am a few degrees less-embarrassed to admit it). Gotham Academy’s “Yearbook” storyline on has used an anthology format to offer a taste of the varied elements that make the series so great. Continue reading →