by Patrick Ehlers
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Ridley Scott’s 1977 sci-fi horror masterpiece Alien works because it is slow, atmospheric, and truly terrifying. Much of that terror comes from watching the various forms of an unknown alien species wreaking havoc on the crew of the Nostromo, who are, by all accounts, a bunch of blue collar folk just trying to make their way in a world run by enormous corporations. These working stiffs would have survived their encounter just fine were it not for the dispassionate, often robotic, interference of The Company. It’s Weyland-Yutani’s plant, Ash, that breaks protocol and allows Kane and the facehugger onto the ship, despite ranking officer Ripley denying them access. The first issue of William Gibson’s Alien 3, Darkhorse Comic’s adaptation of Gibson’s un-produced script for the sequel to 1986’s Aliens, revisits a very similar point of first contact with the alien, this time without a company stooge to muck it up. Continue reading