Tag Archives: Olive Silverlocke

Dec 7 2015

Gotham Academy 12

gotham academy 12

Today, Spencer and Ryan M. are discussing Gotham Academy 12, originally released December 2, 2015.

Spencer: I spend a lot of time talking about empathy on this site, but only because I believe that developing empathy is one of the single most important things people can do to help create a better world. Working to understand people and care about their feelings can avert catastrophes both big and small, while ignoring the viewpoints of others can turn even the most harmless endeavor dangerous. Case-in-point: Professor Strange. All ol’ Hugo wants to do is learn about Calamity, but his lack of compassion for the actual people hurt by Calamity means that even his simple quest for knowledge has the potential to ruin lives. It may have already ruined Olive’s. Continue reading →

Apr 8 2015

Gotham Academy Endgame 1

Alternating Currents: Gotham Academy Endgame 1, Drew and Taylor

Today, Drew and Taylor are discussing Gotham Academy Endgame 1, originally released April 1st, 2015.

Drew: Ah, the framing story. What else provides such instant meta-text? It’s what turns The Princess Bride into a story about bedtime stories, or Don Quixote into a story about adventure stories. Of course, it also adds a layer of distance, reminding us that we’re consuming a story, just in case we might have forgotten. At its most cynical, that distance can provide plausible deniability of the events of the story (like so many hand-waving sitcom episodes based on A Christmas Carol or It’s a Wonderful Life), but at its most sincere, it allows a single narrative to celebrate the act of storytelling. In the case of Gotham Academy Endgame 1, it also allows for stories that otherwise wouldn’t fit in the narrative, revealing the depth and breadth to the world of the series while also showcasing some fantastic talent. Continue reading →

Mar 3 2015

Gotham Academy 5

gotham acadamy 5

Today, Spencer and Michael are discussing Gotham Academy 5, originally released February 25th, 2015.

Spencer: It’s not easy figuring out how and when to reveal key plot points and answer pressing questions when constructing a narrative. Some stories get so caught up hyping big mysteries that the solutions can’t live up to the audience’s expectations — others lose their inertia by revealing all too early. Thus far, I’ve been quite impressed by how Becky Cloonan and Brenden Fletcher have handled their mysteries in Gotham Academy. Issue 5 is full of big reveals, balanced expertly by Cloonan and Fletcher, which fill in many of the blanks about Olive’s lost summer and Tristan’s identity. This new information expands the world of Gotham Academy and helps flesh out the cast, both individually and as a unit, while avoiding the pitfalls I listed at the outset of this article. Plus, it’s loads of fun. Continue reading →

Feb 3 2015

Gotham Academy 4

gotham acadamy 4

Today, Spencer and Suzanne are discussing Gotham Academy 4, originally released January 28th, 2015.

Spencer: Every property handles the supernatural a little differently. Some reject supernatural elements entirely while others use them as their primary concept; shows like Scooby Doo or Doctor Who regularly tease the supernatural before inevitably revealing them to be hoaxes or extraterrestrial in nature, while at DC Comics the supernatural is a well-known, accepted part of the universe, but one that rarely takes center stage. This is particularly true in Gotham City, so I always kinda assumed that the supernatural elements in Becky Cloonan, Brenden Fletcher and Karl Kerschl’s Gotham Academy would turn out to be hoaxes; two different reveals in issue four prove me right, but what I appreciate about these reveals is how they both help to expand and develop the world of Gotham Academy in drastically different, but equally effective ways. Continue reading →

Nov 11 2014

Gotham Academy 2

gotham acadamy 2Today, Suzanne and Taylor are discussing Gotham Academy 2, originally released November 5th, 2014

Suzanne: A few years ago, I lost interest in reading literature about teenagers and coming-of-age stories. Maybe I read books like Catcher In the Rye too many times in high school. Or when I hit my mid-twenties, I could finally get up on my soap box about how youth-obsessed American culture can be without feeling (too) hypocritical.

Then Kieron Gillen and Jamie McKelvie’s Young Avengers shook up my perspective, proving that the right creative team can sell almost any genre. Since then, books like Batgirl and Gotham Academy are (soon to be) mainstays on my pull list. Relationship drama? Impulsive heroes? Hipster fashion? Check. Check. Check. I’m hoping that Gotham Academy can maintain its unique tone without lapsing into a paint-by-numbers romantic drama.

Continue reading →

Oct 7 2014

Gotham Academy 1

gotham acadamy 1Today, Spencer and Drew are discussing Gotham Academy 1, originally released October 1st, 2014

Spencer: Back in the 1930s and 40s comic books had a lot of variety — the still-new superhero genre was published alongside horror, romance, western, and detective books, just to name a few. As the decades passed those other genres gradually faded away until superhero books became the predominant genre, and while I absolutely love superhero books with all my heart and soul, we’re no doubt worse off for the lack of diversity. Fortunately, Becky Cloonan, Brenden Fletcher, and Karl Kerschl’s Gotham Academy 1 is all about diversity, not only amongst the cast, but simply in the kind of book it is. Gotham Academy is equal parts teenage drama, coming-of-age tale, and supernatural mystery, and we’re certainly better off with it on the shelves. Continue reading →