Today, Suzanne and Taylor are discussing Gotham Academy 2, originally released November 5th, 2014
Suzanne: A few years ago, I lost interest in reading literature about teenagers and coming-of-age stories. Maybe I read books like Catcher In the Rye too many times in high school. Or when I hit my mid-twenties, I could finally get up on my soap box about how youth-obsessed American culture can be without feeling (too) hypocritical.
Then Kieron Gillen and Jamie McKelvie’s Young Avengers shook up my perspective, proving that the right creative team can sell almost any genre. Since then, books like Batgirl and Gotham Academy are (soon to be) mainstays on my pull list. Relationship drama? Impulsive heroes? Hipster fashion? Check. Check. Check. I’m hoping that Gotham Academy can maintain its unique tone without lapsing into a paint-by-numbers romantic drama.
Today, Drew and Spencer are discussing Batgirl 35, originally released October 8th, 2014.
Drew: Referring to the setting of a story as a character has always irked me. Never mind that it’s a total cliche, but it’s almost invariably applied as a shorthand for a sense of place we all recognize that the story relies on as a crutch. In that way, I suppose settings are used as characters, but they’re stock characters, no more remarkable than, say, “high school jock” or “loose cannon cop.” The genericness of locations-as-characters only becomes more exaggerated in the fictional cities of comics, which have seen just as many interpretations over the years as the heroes that occupy them. When Gotham has been interpreted as everything from gothic to neo-gothic to art deco to just straight-up modern, and from post-apocalyptic to post-corruption, it’s impossible to generate any sense of setting without elaborating on this particular interpretation of the city. Fortunately, Cameron Stewart and Brenden Fletcher do just that as they take the helm of Batgirl, lending specificity to their Gotham by, of all things, co-opting the stock character of Brooklyn. Continue reading →
Today, Spencer and Drew are discussing Gotham Academy 1, originally released October 1st, 2014
Spencer: Back in the 1930s and 40s comic books had a lot of variety — the still-new superhero genre was published alongside horror, romance, western, and detective books, just to name a few. As the decades passed those other genres gradually faded away until superhero books became the predominant genre, and while I absolutely love superhero books with all my heart and soul, we’re no doubt worse off for the lack of diversity. Fortunately, Becky Cloonan, Brenden Fletcher, and Karl Kerschl’s Gotham Academy 1 is all about diversity, not only amongst the cast, but simply in the kind of book it is. Gotham Academy is equal parts teenage drama, coming-of-age tale, and supernatural mystery, and we’re certainly better off with it on the shelves. Continue reading →