Today, Ethan and Shelby are discussing Thor: God of Thunder 13, originally released October 9th, 2013.
Ethan: If you’re like most people, when someone asks you what type of music you prefer, you reply “oh, most kinds” or “I’m not picky” or “pretty much anything except [insert genre name].” That said, no matter how coy you are about your favorites, when you find a band that really grabs you, that buzzes to your bones in just the right way – a way that feels a little bit like it must be unique, like it was kinda-sorta written for you specifically – it’s a wonderful thing. So for at least one tour cycle you’re set, maybe you see them live, maybe you wait after the show to get some autographs, and you hear the music in your sleep. But when the interval ends, when the band goes off the grid to put together their next album, there’s room for trepidation. What if their new songs don’t have that special texture that the old ones do? What if they sound EXACTLY the same and there’s no new magic? Well, as far as I’m concerned, Jason Aaron is facing off with a very similar situation in Thor: God of Thunder #14. His first God-Bomb arc knocked it out of the park with great big ideas like faith and deity, and the current question is whether or not he can do it again using dwarves, elves, and goats. Continue reading