by Drew Baumgartner
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Every story is a mystery at its start. Themes, settings, characters, and their motivations are all unknown to us at the outset, so the opening chapters of stories are often defined by which of these questions they answer, and which they leave open. In that way, a story ultimately defines what its hanging questions are by where it begins. Does it open generations before the protagonist is born or on the day of the inciting incident? Does its scope start wide and zoom in, or does it start in tight and zoom out? Or, more to the point in many mainstream comics, do we meet the protagonist before or after their loved one is murdered, propelling them on some kind of quest for justice/vengeance? With Crude 1, Steve Orlando and Garry Brown’s choices on where and when to start their narrative reveal a great deal about what they think is interesting about their narrative, but in doing so, may have buried the lede. Continue reading