Today, Drew and Patrick are discussing Grayson 8, originally released March 4th, 2015.
Drew: I like to read into titles. We tend to boil down the difference between Superman and Action Comics to the creative teams involved, but I think the focus of every story is informed by its title. Luke Skywalker may feature prominently in Star Wars, but not in quite the same way he would if the movies were titled Luke Skywalker. In that same vein, when a story’s title is the protagonist’s name, we understand that story to necessarily be about that character. Oliver Twist may deal with poverty and exploitation, but the story is ultimately about a single orphan. In the month-to-month grind of comics, it’s sometimes easy to forget that Spider-Man is actually about Spider-Man (and not the criminal-of-the-month), but the best writers manage to keep the focus on the heroes, even as they’re put up against an endless lineup of threats. Tom King and Tim Seeley have never lost sight of Dick as the center of Grayson, but issue 8 reasserts that focus so strongly, we never feel lost — even as they yank the rug out from under us. Continue reading →
Today, Patrick and Spencer are discussing Grayson 6, originally released January 14th, 2015.
Your nifty hypnos tech trick may make it so I can’t see Spyral agents’ faces, but I’d know that ass anywhere. Grayson.
Midnighter, Grayson 6
Patrick: Do you have any idea how many times Sherlock Holmes has been adapted? From George C. Scott to Benedict Cumberbatch, from VeggieTalesto The Great Mouse Detective, there’s virtually no end to the twists and variations writers, actors and filmmakers can apply to this character. But no matter how the story is dressed up, the personality of Holmes himself always shines through. Dick Grayson, as it turns out, is very much the same way; whatever the genre, whatever the story, whatever the supertechnology trying to disguise him, we’re always going to recognize Grayson. Continue reading →