Today, Mark and Spencer are discussing Grayson 18, originally released March 23th, 2016.
Mark: I came into Grayson 18 unaware of the creative change-up behind the scenes, but it’s immediately apparent that this is a different team than the one that has guided Grayson through the past year and a half. Yes, Tom King, Tim Seeley, and Mikel Janin have departed in preparation for Rebirth, leaving new writers Jackson Lanzing and Collin Kelly to wrap up the last three issues with the help of artists Roge Antonio and Geraldo Borges. And while Grayson 18 definitely reads like a lesser issue, Lanzing and Kelly do well enough in beginning to bring Grayson‘s many disparate threads together.
Today, Spencer and Mark are discussing Midnighter 10, originally released March 2nd, 2016.
Spencer: I was a little know-it-all as a kid. One of my earliest memories is interrupting a lecturer on a field trip to a planetarium to correct him about outer space trivia; “well, actually” might as well have been my catchphrase in elementary school. Even as an adult with decidedly screwed-up self esteem, I still occasionally find myself falling prey to the snare of overconfidence; in many ways, I think it’s just human nature. Supreme confidence has always been presented as one of Midnighter’s most charming attributes, but after suffering yet another loss, Midnighter 10 starts to explore whether that confidence is an asset or a hindrance, and one of the most effective ways it does so is by comparing it to the overconfidence of the rest of the cast. Continue reading →
Today, Drew and Patrick are discussing Grayson 8, originally released March 4th, 2015.
Drew: I like to read into titles. We tend to boil down the difference between Superman and Action Comics to the creative teams involved, but I think the focus of every story is informed by its title. Luke Skywalker may feature prominently in Star Wars, but not in quite the same way he would if the movies were titled Luke Skywalker. In that same vein, when a story’s title is the protagonist’s name, we understand that story to necessarily be about that character. Oliver Twist may deal with poverty and exploitation, but the story is ultimately about a single orphan. In the month-to-month grind of comics, it’s sometimes easy to forget that Spider-Man is actually about Spider-Man (and not the criminal-of-the-month), but the best writers manage to keep the focus on the heroes, even as they’re put up against an endless lineup of threats. Tom King and Tim Seeley have never lost sight of Dick as the center of Grayson, but issue 8 reasserts that focus so strongly, we never feel lost — even as they yank the rug out from under us. Continue reading →
Today, Patrick and Spencer are discussing Grayson 6, originally released January 14th, 2015.
Your nifty hypnos tech trick may make it so I can’t see Spyral agents’ faces, but I’d know that ass anywhere. Grayson.
Midnighter, Grayson 6
Patrick: Do you have any idea how many times Sherlock Holmes has been adapted? From George C. Scott to Benedict Cumberbatch, from VeggieTalesto The Great Mouse Detective, there’s virtually no end to the twists and variations writers, actors and filmmakers can apply to this character. But no matter how the story is dressed up, the personality of Holmes himself always shines through. Dick Grayson, as it turns out, is very much the same way; whatever the genre, whatever the story, whatever the supertechnology trying to disguise him, we’re always going to recognize Grayson. Continue reading →
Today, Spencer and Drew are discussing Grayson 4, originally released November 5th, 2014.
Spencer: I’ve been told that the key difference between introverts and extroverts is that interaction with other people drains introverts’ energy, while it recharges extroverts. I can believe that — I love spending time with friends, but if I’m around people too much it can be mentally exhausting, and I end up retreating to my room to charge my batteries for a few days. As an extrovert, though, Dick Grayson — the newest agent of Spyral — has the opposite problem: he needs people and personal connections to thrive. Dick certainly has the skills necessary to succeed as a spy, but his personality is much less suited to the job. Being alone is not Dick’s forte, and his need to connect could every well end up being his downfall. Continue reading →