A Loss of Focus Drains the Drama from All-New Wolverine 24

by Drew Baumgartner

All-New Wolverine 24

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There has been plenty to love about Tom Taylor’s run on All-New Wolverine, from its adventurous cameos to its wry sense of humor, but I’d have to say my favorite aspect has always been its emotional intensity. Each storyline has been distinguished by its intense personal connection to Laura, whether it was battling (or teaming up with) her clone sisters, or settling a score from her earliest days. Every one seemed to leave a meaningful impact on Laura, ending or beginning new chapters in her life. It’s a breathless feat to keep that amount of emotional weight moving for that long, which is why I’m almost willing to forgive issue 24 for being the complete antithesis of that kind of importance. Continue reading

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All-New Wolverine 23 Subverts a Familiar Setup

by Drew Baumgartner

All-New Wolverine 23

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Get away from her you bitch!

Ellen Ripley, Aliens

As action movie quips go, Ripley’s command to the Alien Queen is far from inventive, but I’ll be damned if it isn’t one of the most iconic. Indeed, on repeat viewings, the the tension of Ripley’s descent into the Alien nest is more or less subsumed by my anticipation of that scene. Indeed, once you know the showdown between Ripley and the Queen is inevitable, everything leading up to it feels like unnecessary padding. The Queen exists for the sole purpose of Ripley defeating her, so the movie is really just ticking boxes once she has Newt. In All-New Wolverine 23, Tom Taylor and Leonard Kirk reproduce that setup with uncanny accuracy, teasing us with the promise of Laura facing down the Brood Queen only to snatch that possibility away at the last second. Continue reading