Individuality is Growth, and Regression Danger in X-23 1

By Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

It’s hard not to view Laura’s return to the name “X-23,” after wearing the mantle of “Wolverine,” as a demotion, even a regression for the character. X-23 1 does all it can to smooth over this transition — writer Mariko Tamaki’s pitch-perfect channeling of Laura and Gabby’s voices combined with the return of one-time All-New Wolverine artist Juann Cabal gives this issue a lot of forward momentum, making it feel like a continuation of the story Tom Taylor began rather than a radically new take — but never explicitly addresses the change of code-names or the reason behind it. Instead, Tamaki and Cabal tackle the ideas of identity, growth, and regression head-on through the examples of Laura, Gabby, and the Stepford Cuckoos. I wouldn’t be surprised if it was all leading towards an argument for “X-23” later in the storyline. Continue reading

Compassion is the Greatest Weapon of All in X-Men Red 5

by Spencer Irwin

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk.

A few weeks ago in X-Men Red Annual 1, Jean Grey met a bigoted anti-mutant protester and showed him kindness and compassion, relating to the turmoil and abuse he dealt with in his home life and continuing to worry about him long after their meeting had come to an end. Compassion continues to be Jean’s weapon of choice in Tom Taylor and Mahmud Asrar’s X-Men Red 5, and it’s a weapon she’s more than capable of deploying against an entire army. Continue reading

X-Men Red 4 Battles Real-World Threats

by Drew Baumgartner

X-Men Red 4

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk.

Comics have always reflected our real-world fears — from inner-city crime or nuclear panic — by heightening them to exaggerated extremes. Except, I’d argue, when it comes to the X-Men’s persecution. Sure, the X-Men’s superpowers would qualify as an “exaggerated extreme” of the types of differences that normally mark a minority class, but it’s straight-up not possible for writers to come up with more exaggerated ways societies persecute their minorities. From apartheid to lynchings to genocides, there’s nothing the X-Men have faced that real-world minorities haven’t already suffered, grounding even their most fanciful stories in sober reality. It’s a fact that Tom Taylor and Mahmud Asrar have leaned into from the start of X-Men Red, lending the series a “ripped from the headlines” approach that is truly unique in superhero comics. Continue reading

All-New Wolverine 35: Discussion

by Spencer Irwin and Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: I think I may have missed the mark a bit when discussing last month’s installment of All-New Wolverine. I claimed that “Old Woman Laura” was a story about redeeming Bellona and defeating Doctor Doom, the last tyrant left in a world that’s otherwise an utopia, but Tom Taylor and Ramon Rosanas have proven me wrong in All-New Wolverine 35, the series’ finale. Those are a part of this adventure, to be sure, but only a small part. What this story is about — what it’s always been about — is giving Laura Kinney the happy ending she deserves.  Continue reading

X-Men Red 3 Offers a Portrait of Our Time

by Drew Baumgartner

X-Men Red 3

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk.

…it occurred to me that instead of them just being heroes that everybody admired, what if I made other people fear and suspect and actually hate them because they were different? I loved that idea; it not only made them different, but it was a good metaphor for what was happening with the civil rights movement in the country at that time.

Stan Lee on creating the X-Men

That the mutants of the Marvel universe are reviled and oppressed has long made them an allegory for any number of minorities the world over, which in turn makes the X-Men an allegory for any number of civil rights activists. Much has been written about the MLK/Xavier and Malcolm X/Magneto parallels, but as the twentieth century churned on, those movements coalesced less and less around recognizable figureheads. These movements weren’t leaderless, by any means, but the leaders were no longer the household names they were in the early ’60s. X-Men comics responded in kind, broadening its cast and bringing in an array of perspectives to cover the more diffuse push for civil rights across the globe. This made the X-Men generalists in terms of their symbolic power — maybe they were drawing parallels to the gay rights movement, or apartheid, or even the holocaust. But that generalist nature may also have blunted any one of those parallels, limiting how specific any one of them can truly feel.

Or so I thought. I’d come to accept the X-Men as a broad comment on the nature of oppression and activism, but never turned to it for “ripped from the headlines” representations of discrete real-world events. Maybe I (and the rest of the world) wasn’t paying enough attention to real-world events to recognize them. Maybe those events weren’t being covered in the way they have been over the past few years. Whatever the case, I was completely bowled over by the unapologetic allegory for Charlottesville that Tom Taylor and Mahmud Asrar present in X-Men Red 3. Continue reading

All-New Wolverine 32 finds Catharsis in Revenge

by Drew Baumgartner

All-New Wolverine 32

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

This issue opens with a heartbreaking flashback sequence chronicling the simultaneous loss of innocence for two young girls. One is Amber Griffen, whose father was killed at his first day on the job protecting a presidential candidate. The other is Laura Kinney, who was the assassin sent to kill that candidate (and anyone else within clawing distance). Years later, it’s easy to understand why these women would be enemies, but Tom Taylor and Djibril Morissette-Phan take care to demonstrate that Laura is every bit as victimized by these events as Amber, telling their stories in parallel to drive that point home.

Amber and Laura Continue reading

Scaling Back in X-Men Red 2

by Patrick Ehlers

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk.

Last time we wrote about X-Men Red, Spencer and Ryan saw the series as somewhat foundational — asserting the attributes that makes an X-Men comic and X-Men comic. That means both the soapy sci-fi details of the characters’ pasts and the political commentary were turned up to 10. The scale for both was just huge — I mean, Jean addresses the United Nations and was framed for murdering the UK ambassador for crying out loud. X-Men Red 2 continues to engage in the same kind of character- and political-work, while scaling back to considerably more personal levels, and the result is almost intimate. Writer Tom Taylor and artist Mahmud Asrar have such a strong handle on these characters’ voices, the moments don’t need to be huge to make them impactful. Continue reading

The Perfect Team-Up in All-New Wolverine 31

by Patrick Ehlers

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk.

While reading All-New Wolverine 31, I realized that I have been measuring Deadpool team-ups by how good of a foil the other character is for the Merc with the Mouth. I like Deadpool with Captain America because their differences are obvious and legion. I like Deadpool with Logan, because while they’re both immortal murder machines, Logan sees the tragedy in his existence, while Wade somehow twists that into comedy. I like Deadpool with Spider-Man because there’s a sort of one-ups-manship there: “you think that’s goofy, Pete? WATCH THIS.” All-New Wolverine 31 presents a new kind of pairing: Deadpool and a character who is excited to learn from his example. Gabby’s not a foil, but their relationship is basically perfect. Continue reading

X-Men Red 1: Discussion

by Spencer Irwin and Ryan Desaulniers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: What are the X-Men best known for? I’d honestly say that there’s two answers to this, because while thematically the X-Men are most often used to explore discrimination and social justice, in execution they’re just as well known for their unwieldy cast, soap opera dramatics, and byzantine continuity. I think what I like most about Tom Taylor and Mahmud Asrar’s debut issue of X-Men Red is how heavily it leans into that first aspect, while ignoring the latter almost entirely. There’s plenty of character within these pages, of course, but this is first-and-foremost a title with a mission and a message. Continue reading

All-New Wolverine 30: Discussion

by Michael DeLaney and Patrick Ehlers 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: Tom Taylor continues to write one of the best Wolverine books that is actually pretty un-Wolverine-ish. Wolveriney? Wolverinian? What I mean to say is that for a character who is best known for being a bloodthirsty stab machine, this Wolverine is almost the opposite. To be clear, Logan was/is much more than a barbaric beast. But in Laura Kinney, Tom Taylor has crafted a Wolverine who is wise, humble and (mostly) peaceful. Like Logan, Laura is full of guilt over the violent life that she was born into. But in All-New Wolverine 30, Laura takes that guilt and transforms it into repentance. Continue reading