X-Men ’92 1

xmen 92 1

Today, Taylor and Michael are discussing X-men ’92 1, originally released March 30, 2016.

Taylor: For many Generation Y-ers, or Millennials, or basically anyone born in the ’80s, the introduction to the world of comics came from one of two sources. The first, of course, is Batman: The Animated Series, which solidified the Dark Knight in this generation’s hearts forever. The second is the well-known, if not quite so beloved, X-Men animated series. While both shows are fantastic in their own way, I remember frequently being frustrated by the X-Men series as a kid. Like a true comic book, this series told long stories over the course of several episodes which made watching the show in order essential, but during the age of syndication, nearly impossible. Still, I have fond memories of the show and to this day I can still sing its guitar solo theme song from memory. X-Men ’92 is cut from the cloth of this show and in doing so, the creators have made a comic that is both timely and nostalgic at the same time. Continue reading

Chat Cave: The Amethyst Controversy

Zero month saw the launch of several new titles, including the fantasy-infused Sword of Sorcery. As soon as the issue was released, the return of Amethyst: Princess of Gemworld was overshadowed by controversy surrounding a scene of an attempted rape. Reactions ranged from outrage and disappointment to outrage and disappointment over said outrage and disappointment. The only thing that could really be said about the reactions is that everybody had one. Not to be left out of the dialogue, the Retcon Punchers have their own thoughts on the issue. Welcome to the Chat Cave.

Drew: The charge against this issue is largely lead by Chris Sims of Comic Alliance. Sims’ objection basically boils down to two key points: 1) that rape as an overused trope writers use to darken comics needlessly, and 2) that it’s particularly inappropriate in a kid-friendly title.  This blogger does a pretty good job of rebutting Sims first point, so I’ll just add that while rape can be misused as a narrative bludgeon — as can death, love, war, hate, or pretty much anything else that makes stories compelling — it doesn’t mean it should be off-limits. Whether or not it was used inappropriately should be determined on a case-by-case basis, so its perceived overuse shouldn’t enter into the conversation at all. Continue reading