Today, Taylor and Michael are discussing X-men ’92 1, originally released March 30, 2016.
Taylor: For many Generation Y-ers, or Millennials, or basically anyone born in the ’80s, the introduction to the world of comics came from one of two sources. The first, of course, is Batman: The Animated Series, which solidified the Dark Knight in this generation’s hearts forever. The second is the well-known, if not quite so beloved, X-Men animated series. While both shows are fantastic in their own way, I remember frequently being frustrated by the X-Men series as a kid. Like a true comic book, this series told long stories over the course of several episodes which made watching the show in order essential, but during the age of syndication, nearly impossible. Still, I have fond memories of the show and to this day I can still sing its guitar solo theme song from memory. X-Men ’92 is cut from the cloth of this show and in doing so, the creators have made a comic that is both timely and nostalgic at the same time. Continue reading →
Today, Patrick and Ethan are discussing Uncanny X-Men 8, originally released June 10th, 2013.
Are there demons? Please no Dormammu please no Dormammu please no Dormammu… Oh, thank God.
-Fabio “Gold Balls” Medina
Patrick: Scott Summers and the New Uncanny X-Men have spent the last three issues stuck in purgatory. I’m being literal, but what the hell – it’s a metaphor too. The fall-out from the Avengers’ battle with the X-Men has left the mutant leadership in ruins, their superpowers in shambles, and even fractured our heroes’ goals. Illyana Rasputina Conquers Purgatory featured some fantastic art; Frazier Irving rendered Dante-level hellscapes marvelously, but the story had started to spiral around obscure minutae of the Marvel world, all personified by Dormammu. Fabio starts the issue basically praying to be done with Dormammu – when he opens his eyes to see a familiar sight, home, his relief is our relief. The X-Men are back where they belong. Continue reading →
Today, Ethan and Drew are discussing Uncanny X-Men 6, originally released May 22nd 2013.
Ethan: One evening in college, I was getting ready to turn in a paper that was due the next day. It was all written & polished, so I was just going to skim it one last time and make sure there weren’t any glaring issues. As the file loaded, Word showed a popup window, which I dismissed without reading in the same way you click “I agree” at the bottom of Terms & Conditions. Computers are always showing popup messages, right? They’re usually redundant, whatever. The first page of my paper rendered as a solid mass of gibberish: letters, numbers, and symbols smashed together without spaces… as did the rest of it. 15 pages of junk characters. Alarmed, I closed the file without saving & re-opened it; it turns out that the popup window was warning me that the file was corrupted. As I sat there, in the fading light of the last day before I had to turn this thing in, I thought about what it would take to reproduce the paper from scratch: all the quotes, analysis, and dozens of footnotes containing the specific page references. All of which didn’t exist anywhere else, neither as a hard copy nor digital. While I knew I could pull it together again given some time, in that moment I was overwhelmed with trying to figure out how I was going to make the situation work. While writing a paper isn’t quite the same thing as fighting a giant, fireball-headed master of a hell-dimension, the characters in Brian Michael Bendis’s Uncanny X-Men 6 are definitely up the creek without a paddle (OR MLA-formatted citations).
Today, Ethan and Patrick are discussing Uncanny X-Men 5, originally released April 24th 2013.
Ethan: Each of us has at least two definitions of self – the one we show to the world, and the one we identify as our true self. The external definition — the mask — is usually a tool we use to fit in. Perhaps your mask is funnier than you believe the “real” you truly is, or more confident, or more flippant, or more compassionate. Some of us may present a version of ourselves that is not too different than the one we believe to be true; others of us may show a face that’s more dramatically different than our internal, hidden one. Whatever the distance between the public and private self, whatever qualities you infuse into this living theater of personality, you — and only you — can fully plumb the difference. That is of course, assuming that you know who the “true” you is. In Uncanny X-Men #5, Brian Michael Bendis begins to peel back the figurative and literal masks worn by Magik, reminding us of her past and exploring the present condition of the rebel mutants.
Today, Drew and Patrick are discussing Uncanny X-Men 4, originally released April 10th 2013.
Drew: Writers love exploring different vantage points on the same scene. In fact, they loved it so much, they named it: the Roshomon Effect, for the film that made the conceit famous. Its mix of repetition and change is a potent one, so its use often comes off as gimmicky, but when pulled off well, it can add immense insight into a character’s subjective experience of the world. In Uncanny X-Men 4, Brian Michael Bendis reexamines Cyclops’ pitch from All-New X-Men 10, giving us a rare glimpse into Emma Frost’s mind. Continue reading →
Today, Patrick and Ethan are discussing Uncanny X-Men 1-3, originally released February 13th, February 27th, and March 13th 2012, respectively.
Patrick: The X-Men are the perpetual outsiders. They’re different — that’s their whole shtick. Sometimes the X-Men don’t even get along with the X-Men. With Uncanny X-Men, Brian Michael Bendis doubles down on this outsiderness, pitting Cyclops’ band of merry mutants against every one — the government, the Avengers, the rest of the X-Men. It’s the rumblings of a truly unnerving mutant revolution.