Spencer: Creating any sort of real societal change can be next to impossible, not only because of the difficulty of enacting new laws or changing old ones, but because of how difficult it can be to convince people of the need for change at all. We all have our opinions and confirmation biases, and many people simply don’t want to believe they’re wrong, even when faced with compelling, truthful evidence. Such is the case for Misty Knight, who may be a bit too devoted to her fellow police to understand the damage they’re causing. Continue reading
Today, Patrick and Drew are discussing Inhumans v X-Men 6, originally released March 8th, 2017. As always, this article contains SPOILERS.
“You guys… who are the good guys?”
Ms. Marvel, IvX 4
Patrick: Kamala’s rhetorical question at the end of issue 4 might have been meant to highlight the idea that there are no “good guys” in war, just people living out of various levels of desperation. And that’s definitely true of both the I and X Camps — these are peoples who believe that their survival is contingent on the destruction of the other. What they’re willing to do to each other is resultant entirely from the treat they perceive from their enemies. In effect, everyone is retaliating, acting in self-defense, and therefore the answer to Ms. Marvel’s question is “everyone.” But that’s not true, is it? There is one agent of aggression who has been manipulating all players, X-Men and Inhuman alike. And that person — the sole “bad guy” — is Emma Frost, who defines her identity by the fear she experiences as a mutant. It’s a heartbreaking fall from grace as the long-suffering White Queen finally succumbs to paranoia and unequivocally cedes the moral high ground. Continue reading
Today, Spencer and Patrick are discussing IvX 1, originally released December 14th, 2016. As always, this article contains SPOILERS.
Spencer: Last month’s IvX 0 did a fantastic job of summing up the conflict between the Inhumans and the X-Men and showing why their going to war was only a matter of time. Charles Soule, Jeff Lemire, and Leinil Francis Yu’s IvX 1, though, is the issue where that powder keg finally ignites into all-out war, and war…well, war is ugly. IvX 1 plays up the fun of watching these two groups duke it out, but also the pain and sadness inherent in its scenario. Continue reading
Today, Spencer and Drew are discussing IvX 0, originally released November 30th, 2016. As always, this article contains SPOILERS.
Spencer: I don’t know much about my ancestry or heritage other than the fact that I’ve got blood from at least six or seven different European countries in me (I’ve been known to describe my ethnicity as “White Mystery”). Combine that with a family that’s never been all that worried about tradition and you get a guy who just doesn’t care about his culture (if I could even be considered as having one). This is absolutely not the case with the mutants or the Inhumans, though; although the two groups’ concepts of culture and tradition differ greatly, they’re absolutely vital to both camps. That’s something Charles Soule and Kenneth Rocafort make abundantly clear in IvX 0 — the conflict that’s been brewing between them isn’t really about the literal deaths of individuals anymore, but about the possible figurative death of their very ways of life. Continue reading
Ryan D: Maybe it’s an American thing, but culture and media have trained me to almost always root for the revolution. Revolution is often associated with the fiery passion of change, the usurpation of the dolorous and oppressive status-quo, backed by the free-thinkers and do-gooders. Or maybe it’s the idea being studied in psychology about peoples’ need to root for the underdog. This, however, has not exactly been the case in the current run of Black Panther. Or has it? Issue six takes us a bit deeper into the side of the revolutionaries and the monarchy, and bring some new variables into the mix. Continue reading
Today, Taylor and Michael are discussing X-men ’92 1, originally released March 30, 2016.
Taylor: For many Generation Y-ers, or Millennials, or basically anyone born in the ’80s, the introduction to the world of comics came from one of two sources. The first, of course, is Batman: The Animated Series, which solidified the Dark Knight in this generation’s hearts forever. The second is the well-known, if not quite so beloved, X-Men animated series. While both shows are fantastic in their own way, I remember frequently being frustrated by the X-Men series as a kid. Like a true comic book, this series told long stories over the course of several episodes which made watching the show in order essential, but during the age of syndication, nearly impossible. Still, I have fond memories of the show and to this day I can still sing its guitar solo theme song from memory. X-Men ’92 is cut from the cloth of this show and in doing so, the creators have made a comic that is both timely and nostalgic at the same time. Continue reading
Today, Ryan and Patrick are discussing Secret Wars 1, originally released May 6th, 2015.
“Oh, best war ever…”
-General Nick Fury, Secret Wars 1
Ryan: Secret Wars grabs the baton from Jon Hickman’s Avengers/New Avengers beloved/despised/confusing “Time Runs Out” saga chronicling the futile struggle of Earth-616 against the collapse of the multiverse. Hickman dives in by tipping his hat to the concluding plot thread of Doom vs. The Beyonders, the significance of which — aside from helping to shrink the amount of surviving universes down to a baker’s dozen minus a bunch — is still a bit lost on me. The narration of the issue is provided by Reed Richards, and the first installment of this event belongs to him.
Today, Patrick and Michael are discussing All-New X-Men 36, originally released February 11th, 2015.
“It’s not as good as the first one.”
Patrick: There’s a certain magic to the first time you experience a genre or franchise or medium. Novelty is cruel in this regard: no matter how good a sequel is, part of the luster disappears when you revisit the well. Comic book creators and fans know this too well — every reboot and relaunch is a promise to recapture whatever it was you first loved about superheroes in comics. What’s insane about this approach, is that we all fell in love with comics at different times, reading different books and for different reasons. What one person thinks of as “classic” Batman, another thinks of as new and hackneyed. There’s no guarantee that a “back to basics” approach is going to mean the same thing across fandom, never mind whether or not it’s valued the same way. As the Original X-Men wrap up their adventures in the Ultimate Universe, writer Brian Michael Bendis ruminates on just what it means to try to recapture the greatness of the original. Continue reading
Today, Ryan and Patrick are discussing All-New X-Men 35, originally released January 21st, 2015.
Ryan: The “how” of All-New X-Men 35 may come off as complicated, but is fairly straightforward compared to some of the dimension and timeline hopping we have seen recently. With the grown-up, 616-proper X-men all converging on the last will and testament of one Charles Xavier, the temporally and dimensionally-displaced All-New (plus X-23) find themselves in the Ultimate Universe thanks to the powers of a new mutant named Carmen. These X-men find the heroes on Earth-1610 still recovering from the devastation of Gah Lak Tus’s attack during Cataclysm, and a general populace wherein mutants are not only marginalized, but actively outlawed. See? Simple. Continue reading
“I learned to recognize the thorough and primitive duality of man; I saw that, of the two natures that contended in the field of my consciousness, even if I could rightly be said to be either, it was only because I was radically both.”
Robert Louis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde
Drew: The duality of man might just be one of the most central notions of all philosophical thought. Indeed, it might be one of the simplest — is man good, or evil? — but that doesn’t stop fiction writers from coming up with insanely complicated ways of approaching it. Scenarios like Dr. Jekyll’s or Bruce Banner’s are obviously artificial, but they allow us to ask questions that might not make sense in our day to day lives: what actually defines us? Is it our actions at our best? Our actions at our worst? Our sense of humor? Our intelligence? If any one of those things changed, would we be fundamentally different people? Deadpool 38 puts these questions front and center, as Wade’s newfound passivity continues to effect the people around him. Continue reading