This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
As an anthology series, Bitch Planet: Triple Feature seems to offer a fairly open brief to its contributors: tell an eight-page story set somewhere in the world of Bitch Planet, examining how its entrenched gender and racial biases affect everyday life. But, of course, exactly how those biases manifest in the world of Bitch Planet often needs to be defined in the moment, as these short stories are often venturing into areas yet unexplored by the main series. For these, creators seem to have three primary approaches: 1) present the biases as they appear in the real world with little embellishment, 2) heighten or exaggerate the biases (or their enforcement) that we see in the real world, or 3) invert the biases that we’re familiar with, creating a bizarre reflection of the real world. Issue 5 features all of these approaches, and makes a strong case for each. Continue reading →
Today, Michael and Patrick are discussing Constantine: The Hellblazer 4, originally released September 16th, 2015.
Michael: I’m going to tell you something that you’ve heard so much already that you’re going to want to stop reading after I tell you (but please, don’t): fiction is escapism. The simplest bit of escapism is tossing our problems aside and putting ourselves in the shoes of someone sexier, stronger, more likeable and generally just better than what we’re working with. There’s an equal amount of catharsis and distortion at play in this escapism. John Constantine isn’t the guy you are wishing you could be – he’s the guy who you’re thanking your lucky stars that you’re not. I mean, afterlife existential grief/survivor’s guilt makes your last break up look pretty vanilla. Continue reading →