Trillium 5

trillium 5

Today, Shelby and Patrick are discussing Trillium 5, originally released December 4th, 2013. Shelby: Like all the issues of Trillium before it, this one has a trick to it. Again, like we’ve seen before, there’s a separation between Nika’s story and William’s; Nika’s story runs along the top half of the page, with a note to “…read upper section of report first.” At the end of the issue, you flip the book upside down, and read back along the bottom to get William’s story. Nika’s end is his beginning, his beginning her end. That in and of itself is beautiful, but being the stubborn fool that I am, I read the whole thing straight through first, flipping the book over and over. Between my correct and incorrect readings of Jeff Lemire’s sci fi/apocalypse/time travel/romance, a beautifully balanced set of parallel stories emerged.
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Trillium 4

trillium 4

Today, Shelby and Greg are discussing Trillium 4, originally released November 6th, 2013. Shelby: There are a lot of things happening in Jeff Lemire’s Trillium. The end of the human race, some sort of super-virus, travel through both time and space, and aliens. With all the science fiction action unfolding, it can be easy to forget this story is, at its heart, a love story. The mysterious temples and potential end of the human race suck me into the story, but the relationship building (Or possibly already built? It’s unclear.) between Nika and William is what sets the hook in my heart and keeps me coming back.
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Trillium 3

Alternating Currents: Trillium 3, Drew and Scott Today, Drew and Scott are discussing Trillium 3, originally released October 2nd, 2013. Drew: I like to think that most people want to know how magic tricks are done, but every so often, I’ll encounter someone who swears they don’t — they don’t want to ruin the illusion. But let’s be honest: we all know there’s a trick — it’s not like anyone is under the impression that the coin actually disappeared, or that the lady was actually sawn in half — we can fully appreciate the effect, but we know that there’s some secret to how it was achieved. It’s only natural to want to know a secret you know you don’t know. I get a similar thrill out of thinking about how illusions in art are created, from film editing techniques to harmonic analysis to pacing and form. Those last two have been a centerpiece of Jeff Lemire’s Trillium from the start, and issue 3 offers a beautiful study of their effects. Continue reading