This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
I think we can all agree that cannibals are bad. Right? They feast on the flesh of human beings, their survival requires murder of innocent people — that’s pretty cut and dried. But there’s a second sickness that’s infested the town of Willow, Florida, and it’s proving just as deadly. Issue 8 of Cannibal focuses on those infected with affection for a cannibal. Symptoms include: viewing some people as “garbage people,” poor judgement, and prolonged cases of severe, obvious dishonesty. Continue reading →
Today, Ryan M. and Ryan D. are discussing Man-Thing 1, originally released March 8th, 2017. As always, this article contains SPOILERS.
Ryan M: I read a lot of R.L. Stine’s Fear Street books. At age 10, they struck the perfect balance between the somewhat goofy Goosebumps series and Christopher Pike’s darker take on teen horror. Horror is a genre that needs to offer an entry point that you can latch on to. In Fear Street books, the protagonist may not be perfect (I’m looking at you, cheating hero of The Boyfriend) but you are with them every step of the way as their world gets more and more terrifying. In Man Thing 1, Stine and artist German Peralta present their take on a man turned monster, but leave a hole in the center where a protagonist should be.
Today, Taylor and Ryan are discussing Escape From New York 1, originally released December 3rd, 2014.
Taylor: A lot has been written about the Millennial generation and the good and bad (but mostly the bad) habits that make us unique. A common complaint is that Millennials suffer from a prolonged spell of adolescence, or at the very least. a desire to shirk responsibility and the traditional trappings of adulthood. Authors have suggested many reasons for this, but one that has always struck me as catching goes like this: because we live in times of relative upheaval, Millennials have begun to look to the past for comfort (think of our fascinations with the ’80s). With that in mind, is the latest comic based on John Carpenter’s Escape From New York simply a cashing in on Millennial nostalgia or something more?