Today, Drew and Patrick are discussing Fables 146, originally released November 19th, 2014.
Drew: I love thinking about art. I know that sentiment sometimes seems sterile to folks who prefer to “feel” art, but I’ve really never seen the two as mutually exclusive. Indeed, I think deep thought about why a work of art invokes the feelings that it does makes for a much more rewarding experience, not only for our understanding of the art and ourselves, but for our own emotional satisfaction. For me, analysis doesn’t distance me from the art, it immerses me in it, allowing for countless stories within our favorite works of art. Surprisingly, the biggest resistance I get to this approach is in music, where most people — including musicians — seem to dismiss analysis as a sterilized intellectual endeavor. I personally think this is the result of incomplete familiarity with the tools and techniques of music theory. Even trained musicians tend to think of “theory” as referring to harmonic analysis almost exclusively, which is effectively like saying literary analysis is just the cataloging of assonance. One tool is not enough to effectively analyze any work of art, and flattens all art to existing in a single dimension. Then again, certain works of art lend themselves particularly well to focusing on one — the orchestration of Maurice Ravel’s Bolero, for instance — yielding a rich narrative about the work, even if it isn’t the only narrative. I’d argue that Fables has this kind of relationship with allusions — one that is particularly pronounced in issue 146.Continue reading →
Today, Drew and Patrick are discussing Fables 145, originally released October 15th, 2014.
The term ‘archetype’ is often misunderstood as meaning a certain definite mythological image or motif…On the contrary, [it is] an inherited tendency of the human mind to form representations of mythological motifs — representations that vary a great deal without losing their basic pattern…
Drew: I’ve spent a lot of time on this site maligning the over-reliance on tropes in comics, but I think I have a clear understanding of why they’re used — sure, we may have seen the loose-canon cop or bumbling working class husband a few too many times, but they’re only used because they’re effective springboards for drama (or comedy, as the case may be). However, I haven’t put very much thought into where the tropes actually come from. The Worf Effect gets its name from Star Trek: The Next Genneration, but it was already a well-established trope by that point — at least as old as Greek myths (where Ares often has his ass handed to him). Again, this makes sense given how effective these tropes can be — an interesting premise/situation/character is bound to be repeated as long as it can bear new narrative fruit. But what if the first attempt at a given premise isn’t particularly successful?As a series built on these very archetypes, Fables has always had an unusual relationship with tropes, which gives issue 145 a unique perspective on that very question. Continue reading →
Today, Drew and Patrick are discussing Fables 144, originally released September 17th, 2014.
Han: How we doin’?
Luke: Same as always.
Han: That bad, huh?
Return of the Jedi
Drew: If I had to point to a line that hooked me on Star Wars, it would be this line from Return of the Jedi. Maybe I should back up. I had somehow made it to age 9 without ever seeing a Star Wars movie when my 3rd grade teacher perplexingly allowed us to watch the first half-hour of Jedi in class. Knowing nothing about the movies, I was thoroughly enjoying my introduction to the Star Wars universe when the above exchange blew my mind straight out of my eyeballs. There are other adventures like this one? I honestly don’t think I could have been as hard up for the other movies if I had seen them in order. I suppose that’s my way of saying beginning a story at the end can be a rewarding, if unorthodox approach. It’s a particularly intimidating prospect in a world as steeped in its own mythology as Fables, but I’ll be damned if issue 144 doesn’t give me that same “I’ve got to go back and read them all” feeling. Continue reading →