Tag Archives: Mastermind

May 6 2013

All-New X-Men 11

all new x-men 11

Today, Drew and guest writer Charles Cress are discussing All-New X-Men 11, originally released May 1st, 2013.

Drew: Superhero comics have a strange line to walk when it comes to serialization. We want a sense of forward movement — we want the characters to grow and change — but we also want to read stories with them forever. In essence, we want the excitement of serialization (your LOSTs or your Breaking Bads) with the comfort of a more episodic structure (your Seinfelds or your Law and Orders). The problem with that is when something we expect to move forward doesn’t, we notice it. “Wheel spinning.” This is strictly a problem with expectations — nobody would ever accuse an episodic series of spinning its wheels — but Brian Michael Bendis has done such a stellar job at telling a propulsive story in All-New X-Men, it’s a little jarring when issue 11 retraces its steps.

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Apr 8 2013

All-New X-Men 10

Alternating Currents: All-New X-Men 10, Drew and Shelby

Today, Drew and Shelby. are discussing All-New X-Men 10, originally released April 3rd, 2013.

Drew: They say that history is written by the victors. Generally, we mean that in a societal sense: the winners of wars paint their cause in a favorable light, which is why successful overthrows of the government are called “revolutions,” while failures are called “civil wars.” But what if we applied the phrase personally? Our lives are made up of decisions and compromises, which we tell ourselves were the right ones. This is easy enough to do, since we can always paint the opposing choice as naiveté or ignorance — sure, being a fireman seemed like a cool idea when I was six, but I realized it really wasn’t what I was interested in as I grew older — but does that mean it’s always right? This is hard to know because of the one-sided relationship we have with the past — we may know the mindsets of our past selves, but those past selves can’t know the circumstances that lead to where we are now. All-New X-Men has reveled in the idea of a dialogue with the past, forcing its characters to defend their actions in ways that they never would otherwise. Issue 10 brings this dialogue to a head, as Old, Evil Scott (as we’ve taken to calling him here) provides a measured response to Young Scott’s impassioned “how could you?”

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