Amazing Spider-Man 794: Discussion

By Drew Baumgartner and Taylor Anderson

Amazing Spider-Man 794

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I never get enough sleep. I stay up late at night, cause I’m Night Guy. Night Guy wants to stay up late. “What about getting up after five hours sleep?” Oh that’s Morning Guy’s problem. That’s not my problem, I’m Night Guy.

Jerry Seinfeld

Drew: I’ve never heard anyone defend procrastination. We know it’s stupid and lazy, passing off the problem on our future selves, but we still do it, anyway. Charitably, we might describe this as some kind of prioritization or planning maneuver, but more often than not, it’s just putting off whatever work needs to actually be done. But here’s the thing: there are rarely any consequences for procrastination. I mean, sure, you might put writing your term paper (or government budget) off so long that you completely blow your deadline, but so long as you don’t fall into that trap, procrastination is more of a recipe for annoyance than it is failure. Case in point: Spidey’s delayed showdown with Scorpio in Amazing Spider-Man 794. Continue reading

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Best of 2017: Best Artists

Artists

Without artists, all of your favorite characters, scenes, costumes, and locations would just be words on a page. In short, they’re the ones that make comics comics. That’s a lot of responsibility, yet the best artists manage to juggle all of those tasks and inject some meaningful art and style into the proceedings. Whether its a subtle expression or a jaw-dropping action sequence, our favorite artists add the requisite magic to make their worlds and characters real. These are our top 10 artists of 2017. Continue reading

Peter Gets a New Set of Great Responsibilities in The Amazing Spider-Man 791

by Drew Baumgartner

Amazing Spider-Man 791

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“With great power must also come great responsibility.” Every Spider-Man fan knows these words as well as Peter Parker himself, so you’d think we’d have a good handle on what it means. And we do, to some degree — Peter’s superhuman powers demand that he take on superhuman responsibilities — but much of the tension comes from how all that superheroing clashes with the other responsibilities in his life. Writer Dan Slott has always kept that aspect of Spider-Man in mind, giving Peter more personal and professional responsibilities than he can really keep track of. It’s a juggling act we’re all familiar with in our own lives, and Amazing Spider-Man 791 finds Slott adding one more that clearly means a lot to him: publishing deadlines. Continue reading

Peter Continues to Grow, Even as He Regresses, in The Amazing Spider-Man 790

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

If internet reaction is to be believed (spoiler alert: it’s often not), making Peter Parker the CEO of his own company was not a popular direction for the character. I’ve seen complaints that the stories just “didn’t feel like Spider-Man,” but I’ve never agreed with that — those adventures were writer Dan Slott pulling off what so many creators try and fail to do, respecting the core of a character (“with great power must also come great responsibility”) while finding new ways to express and progress those intrinsic traits. My biggest fear about “Legacy” and the death of Parker Industries has been that Peter would regress, and while he does seem to be taking a few steps backwards as he deals with the loss of his company, in Amazing Spider-Man 790 Slott and Stuart Immonen show that they’re still interested in moving Peter’s story forward and finding ways for him to grow as a person. Continue reading

Parker Luck Returns in The Amazing Spider-Man 789

by Drew Baumgartner

Amazing Spider-Man 789

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Here’s a question: What would you say is the platonic public perception of Spider-Man in the Marvel Universe? Never mind the exceptional circumstances of specific story arcs, do we imagine in general that the public sees Spider-Man as a hero, or do we think J. Jonah Jameson’s one-man crusade against him has influenced public opinion? I suppose I’ve always seen him as misunderstood by the general public, but his interactions with individual New Yorkers always seemed positive — there’s not a whole lot of ambiguity when you see him rescuing babies from burning buildings. Maybe it speaks to just how street-level Spider-Man has traditionally been that his sphere of personal influence would be small, but it sure seems like the citizens of Spider-Man’s New York are on the whole easily swayed by the media they consume. That’s probably an evergreen theme, but it’s one that feels particularly relevant in our modern political climate, and one that comes back in a decidedly unexpected way in Amazing Spider-Man 789. Continue reading

Stripping Down to Basics in Amazing Spider-Man 31

by Drew Baumgartner

Amazing Spider-Man 31

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

This volume of Amazing Spider-Man has always been about amplifying Uncle Ben’s famous mantra that “with great power must also come great responsibility,” forcing both global power and responsibility on Peter Parker’s shoulders. It’s an elegant way of further dramatizing Peter’s relationship to that mantra, taking a naturally street-level character responsible for resolving international conflicts and global pandemics. But, as with any change in superhero comics, this new status quo came with an expiration date — even if we didn’t know what it was. Amazing Spider-Man 31 doesn’t necessarily represent the end of Parker Industries, but it returns Spider-Man so convincingly to his platonic form that it’s easy to see it as the conclusion of that particular chapter of Peter’s life. Continue reading

Exploring Thematic Connections to Secret Empire in Amazing Spider-Man 30

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The current arc of Amazing Spider-Man is a direct tie-in to Secret Empire, with its opening scene even taking place during the Free Comic Book Day issue and with Otto’s newfound might largely coming from Hydra resources. This story is ultimately more concerned with Peter and Otto’s battle for Parker Industries, but even there Dan Slott and Stuart Immonen are able to create spiritual and thematic connections to Secret Empire. Continue reading

The Art of the Tie-in: Amazing Spider-Man 29

by Drew Baumgartner

Amazing Spider-Man 29

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

It’s easy to vilify crossover events for disrupting your favorite series, but that’s kind of the point, right? An event that boasts “everything changes here” should be disruptive to the universe around it — that’s just making good on that claim. The feeling that the story we were reading has been put on the back burner is definitely frustrating, but it’s exactly what would happen in the event of a Earth-shaking change in the status quo. But there are ways to soften the whiplash effect of event tie-in issues, and Amazing Spider-Man 29 features just about all of them. Actually, it might be to precise to pin it on this one issue — while this is the first to explicitly acknowledge the events of Secret Empire, so much of what happens here spins out of threads writer Dan Slott has been spinning for years. In many ways, it feels less like the event forced a change to the series and more like the changes that were coming all along were given a fresh twist by tying them to Secret Empire. Continue reading

The Amazing Spider-Man 28

Alternating Currents: Amazing Spider-Man 28, Drew and Spencer

Today, Drew and Spencer are discussing The Amazing Spider-Man 28, originally released July 7th, 2017. As always, this article containers SPOILERS.

Drew: When we’re frustrated with superhero comics, we’ll sometimes blame the serialized format for robbing endings of any tension (or even mocking the very idea of “endings”) — as much as a given comic may try to convince you of the danger its hero is in, we all know they’ll be back to fight again next month. And actually, genre conventions are much more prescriptive than that, generally insisting that the villain also live to fight again (though maybe not until the hero has cycled through the rest of their rogues gallery). I added the caveat of “when we’re frustrated,” because I ultimately don’t think anyone’s assessment of a story comes down to how rote certain genre conventions are — predictable stories can be great, and unpredictable ones can be terrible — just that we might misidentify (or overemphasize) “predictability” as the reason for disliking a given story. Writer Dan Slott may be most famous for throwing those presumptions out the window, but Amazing Spider-Man 28 reveals just how adept he is at making even the most familiar genre conventions feel exciting. Continue reading

Marvel Round-Up: Comics Released 5/10/17

We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing All-New Wolverine 20, Amazing Spider-Man 27, America 3, and Silver Surfer 11. Also, we will be discussing Rocket 1 on Tuesday and Ms. Marvel 18 on Wednesday, so come back for those! As always, this article contains SPOILERS.

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