Past and Present Trauma Collapse into One in Batman 54

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!


More than any other medium, comics have a rigidly prescriptive relationship with scenic transitions. Settings change on a page turn. Not every turn of the page will give the reader a new scene, but every new scene requires a new page. There are exceptions, of course. Creators can cut away to a quick one- or two-panel scene to provide context to a page. It’s also pretty common to run two scenes simultaneously on alternating panels on a page, like in Watchmen. But even in these cases, the scene or scenes at play are allowed to end at a page turn. With Batman 54, writer Tom King and artist Matt Wagner toss that conventional wisdom out the window, transitioning into and out of extended flashbacks part-way through the page. The result is a conflation of past with present, and of suffering with healing. Continue reading