Today, Spencer and Mark are discussing Nightwing 9, originally released November 16th, 2016. As always, this article contains SPOILERS.
Spencer: If you go back and read my reviews of recent Nightwing issues, I’m on record as calling this run “grim” more than once. I’m still a bit puzzled as to why writer Tim Seeley has filled Dick with so much angst, but at least Nightwing 9 is an acknowledgement of this trend, and seemingly an active move away from it. It’s a refreshing look at why Dick Grayson is such a powerful character in the first place. Continue reading →
Today, Michael and Ryan M. are discussing Detective Comics 942, originally released October 12th, 2016. As always, this article containersSPOILERS.
Michael: The “Night of the Monster Men” comes to a conclusion in Detective Comics 942. Though I haven’t been the biggest fan of this storyline, I’d argue that its resolution came too fast, too soon. After four issues of monster mayhem and catastrophe, Hugo Strange is defeated and cuffed as quickly as he arrived. Continue reading →
Today, Patrick and Spencer are discussing Batman 7 and Nightwing 5 (aka, parts one and two of “Night of the Monster Men”), originally released September 21, 2016. As always, this article contains SPOILERS.
Patrick: If I had to guess conservatively, I’d say that we’ve covered a billion crossover events over the last four years on Retcon Punch. These kinds of stories always beg the narrative question “why?” The commercial question is a lot easier to answer: I’m reading Batman, and I’m certainly not going to skip an issue of Batman, so I might as well pick up the attendant issues of Nightwing, Detective Comics, and whatever else might be participating in this story. The result is usually a tonal mess, superficially tying together the storytelling styles of a disparate set of teams with some arbitrary commonality. “Night of the Monster Men” cuts a different swath through the series bearing its banner, uniting them under one writer, the always excellent Steve Orlando, and a unified artistic vision. Continue reading →
Today, Spencer and Michael are discussing Robin War 2, originally released January 13, 2016.
Spencer:Have you ever watched or read something that you could tell was good, but something about it just didn’t work for you? Maybe there was just one small plot point that rang false, but the failure of that one moment led to the rest of the narrative collapsing around it? That’s the way I feel about Robin War 2. There’s quite a bit about this issue that I like, but there’s one flaw in its very premise that kinda ruins the entire event: writer Tom King never explains why the Court of Owls wants to reclaim Dick Grayson so badly. Continue reading →
Today, Mark and Spencer are discussing Grayson 12, originally released September 23rd, 2015.
Mark: Grayson 12 is billed as Dick’s return to Gotham after quitting Spyral, and it is, but it’s also a continuation of the Grayson spy game. Dick truly intends to leave his life as international sex spy behind, but his hand is forced when the mysterious Agent Zero attacks him at Wayne Manor. Unless he returns to Spyral, she threatens, they’ll reveal to the world that Bruce Wayne is Batman. It’s a threat that’s been made in Bat Family comics forever, but it actually has greater weight here as Bruce is currently in no position to defend himself. Continue reading →
Today, Spencer and Shane are discussing Convergence: The New Teen Titans 1, originally released April 22th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.
Spencer: I think most of us take on certain comfortable roles when we’re among our friends. Sometimes, though, things change, and those roles no longer suit us, but they’re so firmly entrenched among the group dynamic that they can be impossible to escape. Marv Wolfman and Nicola Scott’s Convergence: The New Teen Titans finds this happening to the Teen Titans. After a year spent under the dome, the Titans are attempting to take their relationships to new places, but find themselves caught up in the same old roles and conflicts that have always defined them. Continue reading →
Today, Mark and Patrick are discussing Convergence: Nightwing/Oracle 1, originally released April 8th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.
Mark: It’s been about four years since DC’s controversial reboot into the New 52, and now that it’s come to a nominal end, I think it’s fair to say it was a success. Yes, I miss old, family-man Superman (and man was it great to see him again last week) but going back is also an illustration as to why the New 52 was necessary. Having that 30 years of history (counting from Crisis on Infinite Earths) was both a blessing and a curse. These characters were fully formed over decades of discovery. They were adults with families and complicated relationships. They carried the weights of their decisions with them. The problem is that eventually the weight of all that continuity became overwhelming, the stories you’re able to tell are limited by the past. Continue reading →
Today, Spencer and Patrick are discussing Forever Evil 7, originally released May 21st, 2014.
Spencer: I often find myself thinking of Geoff Johns as “the comic-bookiest writer in all of comics”, in the sense that so much of his work revolves around the history and mythology of the characters he’s writing, and enjoying his work often depends on having a history with the characters yourself. That’s not necessarily good or bad on its own; Johns’ style has its strong points and its weak ones, and while examples of both pop up in Forever Evil 7, it fortunately falls mostly on the “strong” side. Continue reading →
Today, Patrick and Spencer are discussing Batgirl 30, originally released April 9th, 2014.
Patrick: One of the tricks to performing satisfying long form improv is the ability to call out an unusual thing and deal with it. In fact, most of the Upright Citizens Brigade’s comedic philosophy is based around that single truth: whatever’s happening, let’s identify it, explore it and process it. “Don’t be coy” is what that usually breaks down to. Issue 30 of Batgirl is mercilessly coy, refusing to share its biggest secret, but still tries desperately to mine pathos out of it. The result is an emotional clusterfuck — one that I doubt would be satisfying even if the powers that be deemed us worthy of Forever Evil‘s biggest reveals.
Today, Spencer and Shelby are discussing Nightwing 29, originally released March 12th, 2014.
Spencer: It’s hard to talk about Nightwing 29 without talking about the circumstances surrounding it. Forever Evilrevealed Nightwing’s identity to the world and may possibly be killing him off; even if Dick survives, his life is going to be drastically different, as indicated by the cancellation of his title and the premature end of writer Kyle Higgins’ run. I admit that I’m a little bitter; Nightwing’s move to Chicago had rejuvenated the title, and I’m disappointed not to see the story of the Chicago Mask Killer resolved. I certainly can’t claim to know how Higgins feels about the decision, but if he’s upset, he’s not letting it show. Instead, he uses his final issue to create a highlight reel of his run, show us how it’s changed Nightwing, and ultimately, remind us why Dick Grayson is such an important, beloved character in the first place. Continue reading →