Deadpool 10

deadpool 10

Today, Scott and Patrick are discussing Deadpool 10, originally released May 22nd, 2013.

Scott: Wade Wilson is a guilty-pleasure Spider-Man. Like Spider-Man, he’s an agitator, a loudmouth smart-ass. And like Spider-Man, you’d root for him against just about anyone. The thing is, you root for them to do different things when the big moment arrives.Wade and Spider-Man join forces in Deadpool 10 and show us up close the major difference between them. Deadpool doesn’t stand for anything in particular, so he doesn’t have to play by any rules. He kills people and doesn’t think twice about it. It wouldn’t look good on Spidey, but it’s a strangely endearing trait for Deadpool.

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Deadpool 9

deadpool 9

Today, Scott and Ethan are discussing Deadpool 9, originally released May 8th, 2013.

Scott: Moral ambiguity is an important theme in Deadpool. Wade Wilson doesn’t kill people unless he has to, but he doesn’t have to enjoy doing it so much either. In Deadpool 9, the actual necessity of such violence, as well as Wade’s willingness to commit it, becomes blurred, forcing Wade to make tough decisions. It’s the kind of situation you might see depicted with a miniature angel and devil propped on each of his shoulders, but writers Brian Posehn and Gary Duggan would never revert to such a trite story device unless they were mocking it, right? Well, take the moral-righteousness of a recently-dead government agent who lives inside Wade’s head and  put it up against the deplorable, power-hungry demon forcing Wade to do his dirty work and you get Posehn and Duggan’s version of a conscience-battle. They are a creative team, in every sense.

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Deadpool 8

deadpool 8

Today, Scott and guest writer Greg Smith are discussing Deadpool 8, originally released April 24th, 2013.

Scott: And we’re back. After the glorious detour into the Bronze Age that was Deadpool 7, writers Gerry Duggan and Brian Posehn are picking up where they left off in Deadpool 6– with Agent Preston living inside Wade Wilson’s head. It must be hard for a writing team to follow up an issue like Deadpool 7– the consensus best of the series thus far, but one that seemingly takes place outside of the series’ continuity. With expectations higher than ever and questions abound, Duggan and Posehn prove that things aren’t always as they seem, deftly weaving the events of Deadpool 7 into the lingering storylines from the first six issues in a surprisingly logical way.

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