Today, Scott and Patrick are discussing Deadpool 12, originally released June 26th, 2013.
Scott: You can’t avoid the inevitable. Throughout Brian Posehn and Gerry Duggan’s Deadpool run, there has been one constant: no matter how much Wade Wilson has to suffer, he always kills the guy he sets out to kill. As a result, Deadpool comics are more about the thrill of the ride than the destination. As individual episodes, Deadpool is light fun, with humorous characters regularly being introduced and killed in humorous ways. So when it comes to a villain who has been around for several issues, should we expect his death to be several times as much fun? Deadpool 12 says so long to a character who has defined the series’ second major arc and, aside from some structural problems, Posehn and Duggan deliver an epically fun, albeit inevitable, farewell.
Today, Ethan and Drew are discussing Deadpool 11, originally released June 12th, 2013.
Ethan: Stories have to follow a lot of formulas — rising action, tension, struggle, resolution. Comics are often even more constrained — extraordinary people, powers, and villains combine to make extraordinarily predictable outcomes. Familiarity sells. But while you could say a lot of horrible things about Deadpool — and they’d all be true — if there’s one thing that he is NOT, it’s conventional. Maybe it’s because his superpower has more to do with the basic act of survival rather than leaping a building in a single bound; maybe it’s because he’s just a bastard of a guy who lucked out with the world’s most impressive healing factor. Maybe it’s because he’s Canadian. I dunno. Either way, he’s up to his eyeballs in demonic intrigue right now, so perhaps the standard operating procedures wouldn’t be the best fit anyway. As he continues his contract with Vetis, hunting and killing superpowered humans who sold their souls for their abilities, writers Brian Posehn and Gerry Duggan continue to entertain while Wade Wilson continues to backstab his way to freedom.
Today, Scott and Patrick are discussing Deadpool 10, originally released May 22nd, 2013.
Scott: Wade Wilson is a guilty-pleasure Spider-Man. Like Spider-Man, he’s an agitator, a loudmouth smart-ass. And like Spider-Man, you’d root for him against just about anyone. The thing is, you root for them to do different things when the big moment arrives.Wade and Spider-Man join forces in Deadpool 10 and show us up close the major difference between them. Deadpool doesn’t stand for anything in particular, so he doesn’t have to play by any rules. He kills people and doesn’t think twice about it. It wouldn’t look good on Spidey, but it’s a strangely endearing trait for Deadpool.
Today, Scott and Ethan are discussing Deadpool 9, originally released May 8th, 2013.
Scott: Moral ambiguity is an important theme in Deadpool. Wade Wilson doesn’t kill people unless he has to, but he doesn’t have to enjoy doing it so much either. In Deadpool 9, the actual necessity of such violence, as well as Wade’s willingness to commit it, becomes blurred, forcing Wade to make tough decisions. It’s the kind of situation you might see depicted with a miniature angel and devil propped on each of his shoulders, but writers Brian Posehn and Gary Duggan would never revert to such a trite story device unless they were mocking it, right? Well, take the moral-righteousness of a recently-dead government agent who lives inside Wade’s head and put it up against the deplorable, power-hungry demon forcing Wade to do his dirty work and you get Posehn and Duggan’s version of a conscience-battle. They are a creative team, in every sense.