by Patrick Ehlers
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
“All that people care about is the look. There’s figures on this: 70% of what people react to is the look, 20% is how you sound, and only 10% is what you say.”
-Eddie Izzard, Dressed to Kill
Here’s something that’s true about comics: it’s a medium full of speaking characters that we will never actually hear speaking. By Izzard’s math, that means there’s a full fifth of a character’s essence we’re never really going to get through images and words on the page. As Deadpool pulls out all the stops to finally achieve suicide-by-mercenary, so too does the creative team pull out all the stops to express the height of his desperation. All the usual gears are spinning perfectly: Gerry Duggan’s writing is as simultaneously tight and chaotic as ever, and Mike Hawthorne’s impeccable layouts convey an almost grueling understanding of the setting of this issue-long brawl. But I want to focus on that elusive final 20% — “how you sound” — with Joe Sabino’s excellent lettering in this issue. Continue reading