Today, Drew and Michael are discussing Mother Panic 1, originally released November 9th, 2016. As always, this article containers SPOILERS.
Drew: A quarter century after the runaway successes of Watchmen and The Dark Knight Returns, deconstruction remains a thriving mode of superhero storytelling. It makes sense that, in a world that is constantly retelling the same stories in films, television shows, video games, and the comics themselves, there’s little need to reiterate the beats we already know, so Batman’s origin, for example, can be cut down to a few iconic images, and the rest of the narrative can be given over to highlighting themes and ideas baked into that origin. That is, the narrative can be less about the story (since we all know it), and more about the telling. Of course, that approach tends to be reserved for characters whose origins have become common knowledge — heavy-hitters like Batman, Superman, and Spider-Man — but what if that approach was applied to a totally new character? What if their origin was taken as a given, so the emphasis was more on texture than the specific beats of the story? You might end up with something like Mother Panic 1, an issue that blends a familiar presumption of familiarity with a truly unfamiliar character. The effect is disorienting — frustratingly so at times — but nonetheless alluring. Continue reading