Today, Mark and Spencer are discussing Batgirl 46, originally released Dec 16th, 2015.
Mark: Has anyone been reading DC’s (relatively) new Doctor Fate ongoing? The pitch for it was probably a lot like Cameron Stewart and Brenden Fletcher’s pitch for Batgirl: take a character struggling to find a compelling place in the post-Flashpoint universe (apologies to Gail Simone), and make them balance the typical problems of 20-somethings with the life of a superhero. There are countless problems with Doctor Fate, but one of the major failings is its inability to balance the various threats complicating Khalid Nassour’s life. Everything is treated with equal weight (which in this case is usually none at all), which makes the confrontations and resolutions ultimately unsatisfying. Continue reading →
Today, Michael and Patrick are discussing Batgirl 38, originally released January 14th, 2015.
Michael: Sometimes you just get sick of being yourself. What I mean by that is we all have a point where we say “Why me?” “Why do I have to suffer?” “Can’t things just be easy for once?” If life is a story, then we might not always like the role that we’re cast in. Being a “supporting character” gets old; everyone wants to be the star eventually. Batgirl 38 finds the creative team and Barbara herself asking these types of questions of identity. Can’t a Batgirl just fight crime and enjoy herself in the process? Not quite, it would seem. Continue reading →
Today, Suzanne Drew and Patrick are discussing Batgirl 37, originally released December 10th, 2014. Drew: I don’t think it’s unfair to suggest that Barbara Gordon has one of the least memorable origin stories in the Bat-mythos. In fact, without the inciting incident of murdered/criminal parents, or simply figuring out Batman’s identity, it’s arguable that she doesn’t have an origin “story” — she just kind of became Batgirl in the same way someone becomes an adult. That means she doesn’t have the same motivations built into her character that Bruce, Dick, Jason, Tim, Cassandra, Steph, and Damian all have. That’s not to say she’s a lesser character — indeed, she’s been the center of several great stories — just that her “mission” isn’t as strongly defined or as personally motivated as those of her peers. With Batgirl 37, writers Brenden Fletcher and Cameron Stewart turn that lack of definition into a huge asset, making Babs an infinitely more believable 20-something. Continue reading →
Today, Shane and Drew are discussing Batgirl 36, originally released November 12th, 2014.
Shane: When you’re working with some of fiction’s most iconic characters, there’s a lot of baggage to handle. Even DC’s New 52 initiative, designed to jettison most of that excess material, is several years old at this point: there’s history, and relationships, and these characters have already gone through a number of personal journeys. Continuity can be messy, so a fresh start can be appealing, but how does one attempt that without alienating the previous audience? And even if you manage to successfully jumpstart an ailing franchise with new energy, launching a first issue that exceeds expectations and captures interest, is it always so simple to maintain that momentum?Continue reading →