Today, Mark and Spencer are discussing Batgirl 50, originally released April 6th, 2016.
Mark: Batgirl 50 is the culmination of the Fugue storyline, and Brenden Fletcher and Cameron Stewart successfully check the box on every superhero trope a reader could want. Mind control? Check. A bank robbery? Check. Previously unmentioned deus ex machina device? A big, fat pneumatic tube-shaped check! The Fugue has released all of Batgirl’s previous foes and is using them to set up mind control devices to lure Burnside’s citizens to Burnside Bridge. Then he’s going to blow up the bridge, killing the citizens, and then convince the rest of Gotham that Batgirl is responsible. This is not a good plan! Continue reading →
Today, Michael and Spencer are discussing Batman & Robin Eternal 26, originally released March 30th, 2016.
Michael: It wasn’t that long ago when Retcon Punch decided to pit me and Spencer against one another, reviewing Batman Eternal 52 with very different opinions. Now they’ve done it again as we go head-to-head on the finale of the semi-sequel, Batman & Robin Eternal 26. As we transition back to the status quo, does this particular Batman-less Batman tale add anything to the mythos overall?Continue reading →
Today, Ryan M. and Michael are discussing Batgirl 47, originally released January 20th, 2016.
Ryan: Dramatic irony can be frustrating as hell. Having context that a character doesn’t can make them seem inconsiderate or obtuse. You read along, hoping that everyone can figure things out so that we’re all on the same page. However, when done well, it’s an effective way to raise tension in the reader without artificial conflict. Continue reading →
Today, Mark and Spencer are discussing Batgirl 46, originally released Dec 16th, 2015.
Mark: Has anyone been reading DC’s (relatively) new Doctor Fate ongoing? The pitch for it was probably a lot like Cameron Stewart and Brenden Fletcher’s pitch for Batgirl: take a character struggling to find a compelling place in the post-Flashpoint universe (apologies to Gail Simone), and make them balance the typical problems of 20-somethings with the life of a superhero. There are countless problems with Doctor Fate, but one of the major failings is its inability to balance the various threats complicating Khalid Nassour’s life. Everything is treated with equal weight (which in this case is usually none at all), which makes the confrontations and resolutions ultimately unsatisfying. Continue reading →
Today, Spencer and Michael are discussing Batman Eternal 52, originally released April 1, 2015.
People need dramatic examples to shake them out of apathy and I can’t do that as Bruce Wayne. As a man, I’m flesh and blood, I can be ignored, I can be destroyed; but as a symbol… as a symbol I can be incorruptible, I can be everlasting.
Bruce Wayne, Batman Begins
Spencer: Throughout all of the many different storylines in Batman Eternal, one theme has steadily built under the title’s surface: the idea of Batman’s legacy. While it was never something addressed all that directly (at least until R’as al Ghul flat out asked “Is Batman eternal?” a few weeks ago), the creative bullpen has steadily been building up Batman’s team of allies and investigating just what effect Batman’s presence has had on Gotham City. With this massive weekly series finally coming to an end, Batman Eternal 52 aims to show exactly the power of that symbol on Batman’s chest, and it does so in spectacular fashion, pulling together nearly all the threads that have been cast throughout the last 52 issues into one show-stopping finale. Continue reading →
Today, Patrick and Spencer are discussing on Batman Eternal 27, originally released October 8th, 2014.
Patrick: Comic books aren’t exactly a safe space for women. Like any medium with a long enough memory, comics carry some pretty ugly baggage when it comes to the depiction and treatment of female characters. It seems things are even rougher for residents of Gotham City, arguably the quintessential “comic book city” — not only are the police corruption and organized crime families stuck in the 1930s, but an awful lot of those gender politics linger there too. You needn’t look any further than the most recent Catwoman series to know what I’m talking about. A lot of the same specifics that plagued that series are present in Batman Eternal 27 — themes of sexual slavery, Selina’s dangerous naivety, gratuitous ass shots, even a cameo from Mr. Bone — but the issue manages to present these problems as a contrast to the world Batman Eternal seems hellbent on cultivating. Is the BE team’s Gotham a better place for female characters? Continue reading →
Today, Patrick leads a discussion on Batman Eternal 13, originally released July 2nd, 2014.
Patrick: One of the bigger driving forces within Batman Eternal is Carmine Falcone’s desire to rid Gotham of “freaks” like the Penguin and Professor Pyg. In effect, Falcone is trying to drive all the fantastical elements out of Gotham City — whether they’re heroes or villains doesn’t seem to matter much to him. He’s even gone so far as pit the police directly against the Bat Family, furthering the absoluteness of this idea of fantasy vs. reality. But there’s a point that Falcone is missing — or willfully ignoring: everyone engages in a little bit of fantasy to get what they want. What Jim Gordon experienced in the train station – was that fantasy or reality? Covering up a gang war: fantasy or reality? Issue 13 brings that dichotomy into stark relief, showing how embracing fantasy can be equal parts advantageous and horrifying. Continue reading →
Today, Drew leads a discussion on Batman Eternal 11, originally released June 18th, 2014.
Drew: Happy belated Fathers’ Day, everyone! I know I’m close to a week late, but hey, it’s not like your my dad, right? Okay, I may have missed the moment there, but Batman Eternal 11 actually hits a bit closer to the mark, landing only four days after the actual holiday. Still seem a little late? Consider how non-topical other comics tend to be. It makes sense; a six-issue arc may span a matter of days of narrative time, but would cover six months in real time — how do you sync that up to fixed holidays? It’s still done from time to time, but it’s usually relegated to one-off anthologies, or even commemorating events a few months after the fact. There are a few notable exceptions, which manage the feat largely by synching their narrative rate to their release schedule, like The Long Halloween or 52, two series to which Batman Eternal obviously owes a great debt. The weekly format truly gives the writers an opportunity to line events up on the calendar, giving us just a bit more to relate to in the pages. Far from hackneyed or forced, this issue reveals one of the primary perks of such a large ensemble cast: it’s easy to find occasion-appropriate themes when so many plates are spinning at once. Continue reading →
Today, Shelby leads a discussion on Batman Eternal 10, originally released June 11th, 2014.
Shelby: I have some friends who are legitimate circus performers, one a pole dancer and the other a trapeze artist, and so I naturally have attended a cabaret-style circus performance held in an old warehouse. It was exactly as awesome as it sounds, with acrobats of every flavor, a hoop dancer, clowns, and a juggler. This guy was incredible, he used a rainbow array of balls that lit up, and they shut off all the lights in the place so all we could see were the glowing orbs and the trails they left behind. Comic books aren’t totally dissimilar; we don’t see the creators specifically, just the art they leave for us. Also, sometimes it feels like a team is juggling waaaaaaay too many ideas, and it’s only a matter of time before things fall apart. Continue reading →
Today, Shelby leads a discussion on Batman Eternal 4, originally released April 30th, 2014.
Shelby: Last week, Spencer referenced the breakneck speed at which the Batman Eternal crew was giving us our story. While I do think this story is progressing along at a pretty good clip, I think it has more to do with us adjusting to a weekly story instead of a monthly one. Each issues gives us as much story as we’re used to, but now we’re getting 4 times the dosage every month. The weekly release schedule makes the story so much more effective — like Bruce, we are astounded and somewhat alarmed at how quickly events unfold.