This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Is familiarity the opposite of idolatry? I suspect it’s only possible to idolize a celebrity or public figure because they’re unknown. Because we’re unfamiliar with their annoying habits or bad smells, we mythologize them as some kind of immaculate demigod, incapable of error. It’s easy to come up with a certain political example, but this is true for most public figures, from Elon Musk to Taylor Swift. We only know so much about these people, and in the cases where we like them, our brain rushes in to fill the rest with perfection. This is obviously the case for Luna Brewster, who has pinned her imagination to a mysterious woman seen flying over Chicago. Continue reading →
Today, Spencer and Drew are discussing The Amazing Spider-Man 10, originally released November 19th, 2014.
Spencer: Obviously, the major draw of Spider-Verse is getting to see so many Spider-Men together in one place. It’s easy to think of them all as one homogenous whole — they’re all Spiders, after all — but this group is actually quite diverse, with each alternate Spider holding their own opinions and viewpoints. The readers no doubt want to see these heroes all work together, but what happens when their ideals begin to clash? This is the bread-and-butter of Dan Slott and Olivier Coipel’s Amazing Spider-Man 10; from Silk chafing at her strict handlers to the science vs. magic debates of Otto and Old Man Spider, this issue is all about the conflicts that threaten to tear the spiders apart when they need to join together the most. Continue reading →
Today, Spencer and Patrick are discussing The Amazing Spider-Man 9, originally released November 5th, 2014.
Spencer: I started reading comics regularly right at the beginning of DC’s Infinite Crisis crossover event back in 2005 or 2006; the story scattered just about every DC character across the universe, and I must’ve spent hours obsessively charting out which heroes were where. This gave me a big soft spot for massive crossover epics, the kind of stories that can really only be done in superhero comics, which have decades of stories across hundreds of titles to mine. When done right these epics are extraordinarily fun, a testament to the grand histories the DC and Marvel universes have built, but when done wrong they can just feel excessive, too caught up in their own impenetrable histories to tell a coherent story. What strikes me the most about The Amazing Spider-Man 9 — the first “official” chapter of Spider-Verse — is how aware of this danger writer Dan Slott seems to be. Spider-Verse is a story built around history and cameos, but Slott seems to be going out of his way to make the story — and the stakes — as clear as possible. So far, so good. Continue reading →