Today, Taylor and Spencer are discussing The Unworthy Thor 5, originally released March 22nd, 2017. As always, this article contains SPOILERS.
Taylor: Over two years ago the Odinson lost his most powerful asset and was deemed unworthy to wield Mjolnir. The circumstances that made the Odinson shamed in the eyes of his hammer were shrouded in mystery. The only thing readers knew was that, as he lay dying on the moon, Nick Fury whispered something into Thor’s ear which changed everything. What those words were have been debated across the fandom but now the patience of Thor fans has been rewarded. In the fifth issue of the UnworthyThor,we learn what makes the Odinson undeserving of the universe’s most powerful mallet, but is the reason given worthy or unworthy in the eyes of the reader? Continue reading →
Today, Taylor and Spencer are discussing The Unworthy Thor 1, originally released November 2nd, 2016. As always, this article contains SPOILERS.
Taylor: What makes someone worthy to wield Mjolnir? Is it their inherent goodness? Their capacity to do good? Or is it something else? Ever sense the Odinson had a terrible secret whispered into his ear this has been the question on everyone’s mind, for if a god isn’t good enough to be Thor, then who is? By now we know that Jane Foster is, but the reasons for her being chosen by the hammer are only now beginning to reveal themselves and even then mystery still abounds when it comes to the universe’s most powerful hammer. The Unworthy Thor, as its name suggests, follows the man who was once worthy of Mjolnir but no longer is. Could it be that in following this outcast, the answer to one of comic’s most tantalizing questions will be answered?
Today, Patrick and Drew are discussing The Amazing Spider-Man 14, originally released February 11th, 2015.
Patrick: Were any of you paying attention to Twitter when they announced that Spider-Man would be appearing in the Disney Marvel movies? It was surreal: like a piece of super-fan-fantasy mutated into a news item and enthusiastically expressed itself in the middle of the night. On my feed, no one more more elated by this news than Amazing Spider-Man writer Dan Slott. He filled twitter with all-caps celebrations — not because he had anything to do with negotiating this deal (nor will he have any role in developing Peter Parker’s role in the MCU), but because he’s a goddamn super-fan. As the impresario and master weaver of Spider-Verse, Slott has had the opportunity to shout his love for all the Spiders from the heavens, and in issue 14, he goes out swinging, symbolically ceding his own control over the Spiders back to the characters themselves. Continue reading →
Today, Drew and Patrick are discussing The Amazing Spider-Man 12, originally released January 7th, 2015.
Drew: Last week, Patrick and I spent a good ten minutes laughing about The Comic Archive’s “Marvel Movie Omnibus” — that is, all of the Marvel Studios films leading up to and through the end of The Avengers compiled into one mega-movie. Never mind that the thing weighs in at an ungainly 12-hour play-time, what really amused us was the steamrolling of narrative cohesion in favor of what the video description calls “correct story order.” I’ve always been a bit peeved when fans are more concerned with how stories fit together than whether they’re emotionally satisfying, and this struck me as the ultimate manifestation of those priorities. Indeed, flashbacks from Thor: The Dark World and Guardians of the Galaxy are included, even though Malekith and Peter Quill don’t otherwise appear in the movie (remember, this only carries through the end of The Avengers), passing over Chekhov’s gun in favor of boneheaded reportage. The result is a work that is so focused on its whole (however unwatchably long it may be) that it fails to offer satisfying servings, such that any movie-sized chunk of it wouldn’t be a satisfying chapter so much as an arbitrary slice of an indivisible monolith. Unfortunately, that’s exactly how I feel about Amazing Spider-Man 12, a slice of “Spider-Verse” that ends up being mostly connective tissue. Continue reading →
Today, Spencer and Drew are discussing The Amazing Spider-Man 11, originally released December 10th, 2014. Spencer: My biggest pet-peeve with Geoff Johns’ run on Green Lantern was all the business about Hal Jordan being “the greatest Green Lantern ever.” Maybe it’s just me, but it never felt like Hal earned the title or like Johns was providing much evidence to back up his claim — it always came across like a “he’s the greatest because I say so” moment from Johns. I initially feared a repeat of this situation when, at the end of The Amazing Spider-Man 9, writer Dan Slott claimed that “our” Peter Parker from Earth-616 was the most important Spider-Man of them all, but fortunately, this week’s The Amazing Spider-Man 11 convincingly demonstrates why our Peter is worthy of leading the assembled hoards of “Spider-Verse”.Continue reading →
Today, Spencer and Drew are discussing The Amazing Spider-Man 10, originally released November 19th, 2014.
Spencer: Obviously, the major draw of Spider-Verse is getting to see so many Spider-Men together in one place. It’s easy to think of them all as one homogenous whole — they’re all Spiders, after all — but this group is actually quite diverse, with each alternate Spider holding their own opinions and viewpoints. The readers no doubt want to see these heroes all work together, but what happens when their ideals begin to clash? This is the bread-and-butter of Dan Slott and Olivier Coipel’s Amazing Spider-Man 10; from Silk chafing at her strict handlers to the science vs. magic debates of Otto and Old Man Spider, this issue is all about the conflicts that threaten to tear the spiders apart when they need to join together the most. Continue reading →
Today, Spencer and Patrick are discussing Inhumanity 1, originally released December 4th, 2013.
Spencer: First issues are hard to pull off well. They have to be as exciting as possible to ensure that readers come back for issue two, yet they also have to somehow find space to establish a whole new world/concept/set of characters and make sure the readers aren’t lost; if those two goals sound completely incompatible, well, they often are. Matt Fraction’s task in Inhumanity 1 is made even more difficult by the Inhumans’ long and complicated history. Fraction goes out of his way to make sure we understand everything we could ever possibly need to know about the Inhumans in this issue, but unfortunately, it leaves little room for actual story—or excitement.
Today, Shelby and guest writer Kevin are discussing Guardians of the Galaxy 6, originally released September 25th, 2013.
Shelby: In the real world, I’m a QA Analyst for a software development company, so my job revolves around dealing with mistakes. There are times when it’s important to take responsibility for your mistakes; if I misunderstand some software and call something a defect that isn’t, I always make sure to acknowledge I was in the wrong. It’s not easy, especially when I’ve made a big deal about it before being proven wrong, but I do it anyway. Sometimes, though, when I’m confronted with a mistake, be it mine or otherwise, the top priority is fixing it. It might feel nice to assign the blame, but at times it is just more important to figure out what we’re going to do about it. Continue reading →
Today, Shelby and Spencer are discussing X-Men 3, originally released July 31st, 2013.
Shelby: I hate a story that drags on too long. As a creator, it’s important to be able to edit yourself; you have to know where you want a story to go and be able to recognize when it gets there. At the same time, it’s just as frustrating as a reader when the story feels rushed. If I’ve settled in to savor a story as it unfolds, a sudden, “…andthenthegoodguyswinordidtheytheend,” is incredibly unsatisfying. A full-stop, wrap-it-up conclusion to a story arc just leaves me feeling confused, like maybe I missed an issue or something. As excited as I have been for Brian Wood’s X-Men, the end of the first arc has me feeling just that: confused and unsatisfied. Continue reading →
Today, Patrick and (guest writer) Matt are discussing X-Men 2, originally released June 26th, 2013.
Patrick: Until you see it in action, a movie-monster isn’t that scary. You can hear whisperings about the monster’s insatiable appetite, and come across the ruins of the encampment that it has savaged, but it doesn’t really mean anything until you see the Alien burst violently out of your buddy’s chest. Remember how Scream started? With the killer toying with and brutally murdering the biggest name on the marquee. Whatever else was going to happen from that point forward, the audience knows the killer means business. Last month, we got an abstraction of a conflict – a storied shitty history between cosmic siblings. Faster than we can really deal with it, the conflict is in our laps, and everyone gets a good look at what Arkea can do. Consider me convinced: she’s a problem – one X-Men might not be up to solving. Continue reading →