Today, Drew and Spencer are discussing She-Hulk 12, originally released February 18th, 2015.
And if all others accepted the lie which the Party imposed – if all records told the same tale – then the lie passed into history and became truth. “Who controls the past,” ran the Party slogan, “controls the future: who controls the present controls the past.” And yet the past, though of its nature alterable, never had been altered. Whatever was true now was true from everlasting to everlasting. It was quite simple. All that was needed was an unending series of victories over your own memory.
George Orwell, Nineteen Eighty-Four
Drew: I fully appreciate what’s disturbing about historical revisionism — the above passage is undoubtedly the scariest thing I read in high school — but I’m less certain why people seem to be so opposed to similar revisions to fictional continuities. Retcons (or retroactive continuity) might be one of the most reviled devices in all of comicdom, but I honestly don’t understand why. Nobody is more invested in the idea that each issue matters than the publishers (or at least their marketing teams), so fears that a single retcon represents a first step on a slippery slope strike me as totally alarmist. Instead, publishers tend to use retcons to clean up continuities that have become overly complicated after decades of embellishment. Still, being told the opposite of a fact we know is unsettling, even if the “fact” describes something in a fictional world. It’s that exact phenomenon — that the facts both do and don’t matter — that makes She-Hulk 12 so much fun. Continue reading