Tag Archives: Warren Ellis

Feb 8 2017

Karnak 6

karnak-6

Today, Drew and Ryan D. are discussing Karnak 6, originally released February 1st, 2017. As always, this article contains SPOILERS.

Drew: I’ve cited tvtropes.org so often on this site that doing so might reasonably constitute its own trope. Indeed, I tend to use that site in the same way that writers use tropes: as a shorthand to lay the groundwork for more complex and original ideas. It’s not that tropes are bad, necessarily, but they certainly represent some amount of artifice in the story — recognizing those tropes necessarily pushes us out of the narrative. In the world of comics, tropes are almost obligatory, as characters and situations have to be introduced in 20-page installments. Those elements can be complicated later, but tropes become the basic currency for the broad strokes. This may seem like an odd way to open a discussion of Karnak 6, which is remarkably inoffensive on the tropes front, but I’d like to suggest that writer Warren Ellis has adopted an entirely different, less artificial currency to round out this six-issue arc: Karnak’s own cognitive biases. Continue reading →

Sep 27 2016

Karnak 5

karnak-5

Today, Mark and Taylor are discussing Karnak 5, originally released September 21st, 2016. As always, this article contains SPOILERS.

Mark: Given the opportunity, would you go back in time to correct the mistakes of your past? At first blush, it’s an appealing prospect; we all have moments of regret in our past — a situation we wish we would have handled differently, a choice we want to unmake, words we want to take back. But people are an accumulation of their choices, and taking back one would necessarily lead somewhere new. Whether our changed self would be truly appealing comes down to how happy we are with current selves.

Continue reading →

Apr 21 2016

Karnak 3

Alternating Currents: Karnak 3, Drew and Spencer

Today, Drew and Spencer are discussing Karnak 3, originally released April 20th, 2016.

Drew: When we talk about superhero weaknesses, we tend to focus on the physiological ones — the ones that exist within the narrative. That’s because we’ve all agreed to ignore the more obvious logical weaknesses any superhero story has. Punching will never be the best solution to systemic corruption in Gotham (especially when you can personally finance political campaigns of local, state, and federal officials), and “heat vision and a mirror” doesn’t actually explain how Superman shaves his indestructible beard. These are the weaknesses we choose to ignore to maintain our suspension of disbelief — that is, until some smartass chooses not to ignore them, usually by assuming they’re just smarter than everyone else. I call them “weaknesses,” not because they can be exploited by readers who are as simple and obvious as the weaknesses themselves, but because such exploitation is generally off-limits for the characters themselves. How Superman shaves is a question that can’t be satisfactorily answered, so it’s best to avoid the subject altogether. With Karnak 3, Warren Ellis aims to do the opposite, charging headlong into the very weaknesses Karnak would have identified from the start. Continue reading →

Feb 16 2016

Injection 7

Alternating Currents: Injection 7, Ryan and Drew

Today, Ryan D. and Drew are discussing Injection 7, originally released February 10th, 2016.

Ryan D: The iconic novel Moby-Dick is peculiar in two specific ways. Firstly, for such an important example of turn-of-the-century literature which spawned many films based off of it and sits as a part of our literary lexicon, a surprising amount of people have not read it, which I attribute to its length (927 pages in the first edition, 635 in the US release) and the abundance of dry non-narrative chapters dedicated to things like an exhaustive cataloging of ships. Secondly, and more relevant to this review, is the idea that though the presence of the eponymous white whale is felt constantly, it does not actually appear until the last three chapters. I would hazard that the influence of this affects much of our modern media, happily adopted by horror films, especially; we never get a full view of the shark in Jaws until the climax, and the same can be said about the organism from Alien. This same feeling of looming danger and presence pervades Injection 7, and this feeling of tension makes this arc wonderful to read. Continue reading →

Oct 22 2015

Karnak 1

karnak 1

Today, Taylor and Drew are discussing Karnak 1, originally released October 21st, 2015.

Taylor: We live in a highly litigious society. If you make a claim about something — anything — you better be able to prove it. While there’s no one point in history that can be marked as the beginning of this litigiousness, the nadir point just might be that fateful morning in 1992 when a hot cup of McDonald’s coffee was spilled on the lap of an elderly woman. While it might seem obvious to most people that coffee is hot and should be handled with care, the fact that the cup didn’t say so opened up an avenue to lawsuits. Since then, many of us have bemoaned the state of our society, where a person can sue for the smallest of reasons. If you’re like me, then Karnak, both the man and the comic, is a breath of fresh, if not stiff, air. Continue reading →

Sep 15 2015

Injection 5

Alternating Currents: Injection 5, Ryan and Drew

Today, Ryan D. and Drew are discussing Injection 5, originally released September 9th, 2015.

Ryan: Who is the main character in this comic? At first glance, I fancied Maria Kilbride to be our lead. Her character arc seems to be one of the most vivid; every issues’ flashback scenes show her as the bright-eyed genius responsible for tying together the Cultural Cross-Contamination Unit, full of piss and vision. Seeing how cheerful she was in this issue when Brigid suggested they all get matching tattoos stands in stark contrast to the gaunt, hollowed lone-wolf who tackles a Cornish spriggan infestation head-on. Though her foe here be mystical, Kilbride is haunted more closely by the Injection, which finally reveals itself plainly. The fingerprints of the Injection are stamped on every curious happenstance which has taken place over the past five issues, making a compelling case to call this creation the main character. Its character journey has taken place predominately off-page, with the bulk of its exposition in the dialogue of its “parents”, the remnants of the CCCU. It now rears its invisible head to Maria, and in doing so shows that it is responsible for the previously anonymous, seemingly omnipotent yellow narrative text littering each issue. Continue reading →

Aug 28 2015

Trees 12

Alternating Currents: Trees 12, Drew and RyanToday, Drew and Ryan are discussing Trees 12, originally released August 19th, 2015.

he·ro

/ˈhirō/
noun
noun: hero; plural noun: heroes

  1. a person, typically a man, who is admired or idealized for courage, outstanding achievements, or noble qualities.
  2. the chief male character in a book, play, or movie, who is typically identified with good qualities, and with whom the reader is expected to sympathize.

Drew: I think I’ve always thought of those two definitions as functionally identical — we acknowledge heroes in real life for the same qualities we admire them in fiction — but a closer look reveals a rather profound difference in how much agency is required to satisfy these two definitions. That is, the first definition is about deeds performed by the would-be hero, whereas the second definition is more about the heroes place in the narrative; no agency is actually required. It’s no surprise to me that the morally grey characters of Warren Ellis and Jason Howard’s Trees don’t satisfy the “noble qualities” clause of the first definition, but I was a bit more surprised to discover how passive they all have been. The biggest turning points in this series find the characters completely passive, from Professor Bongiorno’s acceptance of his own murder to Marsh’s decision to not sound the alarm about the Svalbard poppies. Issue 12 still features plenty of characters boxed in by their circumstances, but also gives Creasy the opportunity to actually do something. Continue reading →

Jun 24 2015

Trees 10

trees 10

Today, Patrick and Ryan are discussing Trees 10, originally released June 17th, 2015.

Patrick: There’s a problem with most disaster narratives: there’s seldom an obvious antagonist. For as much as “Man vs. Nature” is one of those fundamental conflicts, it’s just harder for an audience to emotionally commit to a series of atrocities committed by a force or phenomenon with no willpower of its own. Think about every zombie movie you’ve ever seen – who are the real bad guys? The zombies? Nah: people pushed to desperate measures are far more dangerous. Twister, Titanic, Alien – all of these movies feature the deadly forces of nature, but there’s no sense of antagonism until we meet rival storm chasers, or understand how big of a dick Rose’ boyfriend is, or until Bishop reveals Weyland Yutani’s coroprate greed. Trees has done something similar in previous issues – focusing on the cultures of corruption, control, and ambition around the trees, ultimately casting man as his own worst enemy. Issue 10, however, reminds us just how terrifying the trees themselves actually are.

Continue reading →

Jun 17 2015

Injection 2

Alternating Currents: Injection 2, Ryan and Drew

Today, Ryan and Drew are discussing Injection 2, originally released June 10th, 2015.

Ryan: The sophomore issue of proves the series of Injection to be one of shifts and contrasts. Before, we saw sweeping establishing panoramas, and now we see tight, personal framing. The locales change from an everyman’s pub to austere Manhattan penthouse and a Parisian embassy. Mysticism drenched number one; technology informs number two. The focus shifts from character and settings to a burst of intense action. This action shows that there is a surprising amount of moving parts to follow. Luckily for us, Warren Ellis and Declan Shavley imbue each of these wheels within wheels with interesting distinctiveness, and make all of these choices very intentionally. Continue reading →

May 27 2015

Trees 9

Alternating Currents: Trees 9, Ryan and Drew

Today, Ryan and Drew are discussing Trees 9, originally released May 20th, 2015.

…Hurled headlong flaming from the ethereal sky
With hideous ruin and combustion down
To bottomless perdition, there to dwell
In adamantine chains and penal fire

John Milton, Paradise Lost

Ryan: The curtains rise in Trees 9 on three silent pages chronicling the Luciferian Fall of poor, poor Marsh. My favorite character in this series rests, undone by the very thing which drove him to the brink of madness:

Flowers mark his grave

The nefarious flowers bloom in his desiccated corpse as if in an elegy: Here Lie Marsh, Whose Name Was Writ Only in Alien Poppies. Thank you, Jason Howard, for the send-off which Dr. Marsh needed. Continue reading →