Today, Mark and Michael are discussing All-Star Batman 10, originally released May 10th, 2017. As always, this article contains SPOILERS.
Mark: It’s easy to take post-Crisis Alfred Pennyworth for granted: faithful household butler to Thomas and Martha Wayne who takes young Master Bruce under his wing as a surrogate father, guiding Bruce through the toughest years of his life. Alfred is Batman’s Batman, the person responsible for keeping the trains running on time, and the last man standing in Bruce’s corner when everyone else is against him. This characterization of Alfred is so ingrained in our consciousness thanks to the movies, animated television shows, video games, and, of course, comic books that have released post-Crisis, propelling the Bat Family’s cultural cache into a larger multimedia stratosphere than they’ve ever experienced before. But like most comic books characters, the Alfred we now know is not the Alfred that always existed. Continue reading →
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Star Wars Poe Dameron 13, Black 5, Curse Words 4, Descender 21, and Injection 12. Also, we’re discussing World Reader 1 and Archie 19 on Tuesday and Sex Criminals 18 on Wednesday,so come back for those! As always, this article contains SPOILERS.Continue reading →
Today, Michael and Drew are discussing Batman 20, originally released April 5th, 2017. As always, this article contains SPOILERS.
Michael: I have been beyond impressed with Tom King and David Finch’s “I Am Bane” — an arc that contextualizes every issue of Batman that can before it. Previously I wasn’t won over with King’s take on the Dark Knight but “I Am Bane” makes me ready and willing to see where he takes the character next. Continue reading →
Today, Spencer and Drew are discussing Hawkeye 5, originally released April 5th, 2017. As always, this article contains SPOILERS.
Spencer: A defining trait of Hawkeye is that they’re a bit of a “hot mess.” For all their skill as archers, both Clint Barton and Kate Bishop tend to be disheveled, disorganized, and often immature in pretty much all other aspects of their lives. This likewise applies to Kate’s new job as an L.A. P.I., a job she’s thus far succeeded at largely through luck and improvisation rather than skill. Thankfully for her, though, it turns out that this may actually make the job a perfect fit for her. Who better to teach that lesson than fellow P.I., and the “Queen of Hot Messes” herself, Jessica Jones? Continue reading →
Today, Ryan D. and Drew are discussing Injection 11, originally released March 15th, 2017. As always, this article contains SPOILERS.
Ryan D: Returning after the Viv-centric Van Der Zee mystery arc, the inciting incident in Injection 11 — the discovery of a ring of stones in Cornwall featuring a flensed corpse at the center — is one of the seven unusual world events which Viv learned of at the end of issue ten, all of which sport the Injection’s dirty, complicated fingerprints. The last arc culminated with a large, almost full-cast denouement, and writer Warren Ellis focuses the start of this tale with the spotlight on the Irish lass and tech genius Brigid Roth. While I miss the rest of the team already — we’ve only seen Maria Kilbride via video chat and heard passing reference to Cunning Man/Breaker of Britain, Robert Morel — I think that the isolation of this chapter might play as a valuable counterpoint to the last’s ensemble sleuthiness. Continue reading →
We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Deadpool the Duck 1, Hawkeye 2, Moon Knight 10, Nova 2, Old Man Logan 16 and Unworthy Thor 3. We discussed Captain America Sam Wilson 17on Thursday and U.S.Avengers 1today, and we’ll be discussing Unstoppable Wasp 1 on Tuesday, so come back for those! As always, this article contains SPOILERS.
Today, Spencer and Drew are discussing Moon Knight 9, originally released December 7th, 2016. As always, this article contains SPOILERS.
Spencer: One of the greatest things about superhero comics is how thoroughly they live in the realm of metaphor. The limitless possibilities provided by the Marvel and DC universes mean that creators can take the most abstract of concepts and make them literal, physical threats for our heroes to face head-on. Sometimes this can oversimplify things, sure, but under the pens of the best creators this provides an opportunity to explore complicated subjects in a more straightforward manner. That’s certainly the case with Moon Knight 9, where Jeff Lemire and his murderers’ row of artists tackle Marc Spector’s mental illness in a way that’s simultaneously realistic and about as sci-fi as humanly possible. Continue reading →
Today, Patrick and Drew are discussing Vision 12, originally released October 26th, 2016. As always, this article contains SPOILERS.
Patrick: I run payroll at the office I work in. No accounting experience, trusted with cutting paychecks for a dozen employees. I was intimidated at first — that’s the livelihood of my friends and co-workers I’m handling — but I was soon numbed by the inevitable monotony of the task. Something recently kicked me out of that stupor: a co-worker got married, and so the rate at which we withheld income tax changed. I’d been used to cutting this check for about the same amount twice a month, so I noticed that it looked like she was suddenly bringing home about 7% more than she had been before she got married. As a non-married dude in a committed relationship, I started to jealously ask “what the fuck?” The fuck, it turns out, is that the US government subsidizes marriage. I had always known there were tax benefits to getting married, but I’d never internalized what that really means. It means that marriage, and by extension family, are so integral to the platonic ideal of the American experience that the government is morally obligated financially encourage it. The Vision has always been about the fallacy of the domestic American dream, and issue 12 brings that fallacy back to the relationship from which that fantasy stems: husband and wife.
Today, Taylor and Drew are discussing Doctor Strange 11, originally released September 7th, 2016. As always, this article containers SPOILERS.
Taylor: To say that modern movie making has changed the course of comic books would be an understatement. Once wrongfully believed to be the bastion of solely nerds and misfits, the world of comics has now opened up to broader audiences with the wide appeal and easy entry point movies have offer. It’s easy to assume that the scripts for these movies are plundered from the rich depths of over a half a century of serial publication, but that assumption wouldn’t be entirely accurate. As the Civil War movie shows, movies frequently influence their panelled brethren. The Civil War II comic event, while totally independent from the movie, certainly has been influenced by the film, and that comes as no surprise. Marvel has money to make. And though it’s true that the Civil War movie was based on an earlier comic, it’s clear to see that movies, for better or worse, are influencing comics. There is no better example of this than Doctor Strange 11.
Today, Spencer and Michael are discussing Moon Knight 4, originally released July 6, 2016
Spencer: In a solo superhero title, it’s usually a given that the book will focus on the title character. They generally drive the action, and thanks to internal monologues, we often know what they’re thinking as well. In many ways, the audience views the story through that title character’s point of view, but in Jeff Lemire, Greg Smallwood, and Jordie Bellaire’s Moon Knight, that statement is far more literal — we see the world just as Moon Knight himself sees it, and like our Mr. Knight, we have no way of telling what’s real and what isn’t, nor any way to control how we perceive this world. Just as the creative team dictates the reader’s experience, the people around Marc Spektor seem to have complete control of the world he inhabits, and that goes for friend and foe alike. Continue reading →