Today, Drew and Ryan D. are discussing Karnak 6, originally released February 1st, 2017. As always, this article contains SPOILERS.
Drew: I’ve cited tvtropes.org so often on this site that doing so might reasonably constitute its own trope. Indeed, I tend to use that site in the same way that writers use tropes: as a shorthand to lay the groundwork for more complex and original ideas. It’s not that tropes are bad, necessarily, but they certainly represent some amount of artifice in the story — recognizing those tropes necessarily pushes us out of the narrative. In the world of comics, tropes are almost obligatory, as characters and situations have to be introduced in 20-page installments. Those elements can be complicated later, but tropes become the basic currency for the broad strokes. This may seem like an odd way to open a discussion of Karnak 6, which is remarkably inoffensive on the tropes front, but I’d like to suggest that writer Warren Ellis has adopted an entirely different, less artificial currency to round out this six-issue arc: Karnak’s own cognitive biases. Continue reading →
Today, Mark and Taylor are discussing Karnak 5, originally released September 21st, 2016. As always, this article contains SPOILERS.
Mark: Given the opportunity, would you go back in time to correct the mistakes of your past? At first blush, it’s an appealing prospect; we all have moments of regret in our past — a situation we wish we would have handled differently, a choice we want to unmake, words we want to take back. But people are an accumulation of their choices, and taking back one would necessarily lead somewhere new. Whether our changed self would be truly appealing comes down to how happy we are with current selves.
Today, Drew and Spencer are discussing Karnak 3, originally released April 20th, 2016.
Drew: When we talk about superhero weaknesses, we tend to focus on the physiological ones — the ones that exist within the narrative. That’s because we’ve all agreed to ignore the more obvious logical weaknesses any superhero story has. Punching will never be the best solution to systemic corruption in Gotham (especially when you can personally finance political campaigns of local, state, and federal officials), and “heat vision and a mirror” doesn’t actually explain how Superman shaves his indestructible beard. These are the weaknesses we choose to ignore to maintain our suspension of disbelief — that is, until some smartass chooses not to ignore them, usually by assuming they’re just smarter than everyone else. I call them “weaknesses,” not because they can be exploited by readers who are as simple and obvious as the weaknesses themselves, but because such exploitation is generally off-limits for the characters themselves. How Superman shaves is a question that can’t be satisfactorily answered, so it’s best to avoid the subject altogether. With Karnak 3, Warren Ellis aims to do the opposite, charging headlong into the very weaknesses Karnak would have identified from the start. Continue reading →
Today, Taylor and Drew are discussing Karnak 1, originally released October 21st, 2015.
Taylor: We live in a highly litigious society. If you make a claim about something — anything — you better be able to prove it. While there’s no one point in history that can be marked as the beginning of this litigiousness, the nadir point just might be that fateful morning in 1992 when a hot cup of McDonald’s coffee was spilled on the lap of an elderly woman. While it might seem obvious to most people that coffee is hot and should be handled with care, the fact that the cup didn’t say so opened up an avenue to lawsuits. Since then, many of us have bemoaned the state of our society, where a person can sue for the smallest of reasons. If you’re like me, then Karnak, both the man and the comic, is a breath of fresh, if not stiff, air. Continue reading →
Today, Taylor and Drew are discussing Deadpool 45, originally released April 8th, 2015.
Taylor: At the risk of sounding trite, a funeral is an event where people come together to celebrate the life of someone who has passed on. Even though most funerals are more somber than celebratory, the very nature of the event is to recognize someone who has died and to give those who remain closure. The much heralded Deadpool 45 is the issue where Deadpool dies and in many ways it acts like a funeral for Deadpool, even before the man himself has died. It offers closure to those who have read the series the past couple years and also reminds us just how much we ware going to miss the Merc With the Mouth, even if we know he won’t be gone for long. Continue reading →
Today, Drew and Taylor are discussing Uncanny X-Men 17, originally released February 19th, 2014.
Drew: What would you do if you found yourself lost in the wilderness? It’s the kind of thought experiment that captured my mind as a child. I’m sure the survival skills I cobbled together from movies and second-hand stories from friends wouldn’t have gotten me very far, but I liked to imagine that I would be cool and in control. I still find myself mentally preparing for similarly absurd hypotheticals (where would I go if there was a zombie apocalypse?), but experience has made it clear that decision-making tends to be impaired by the heat of the moment. That is, you may know you’re supposed to turn into the skid, but there’s a pretty big gap between what you know and what you’re actually capable of when in a state of panic. The only way to practice working under pressure is to actually be under pressure, which is exactly what Uncanny X-Men 17 is all about. Continue reading →