Today, Michael and Patrick are discussing Gotham By Midnight 12 , originally released December 16th, 2015.
Michael: The finale: the final act of a story, the climax and conclusion, the final word that creators have with a set of characters that they have been working with. There are countless variations on the classic finale recipe (a different kind of examination for another day), but Gotham By Midnight 12 is a very specific finale: the publisher-induced cancellation finale. Ray Fawkes and Juan E. Ferreyra are saddled with the task of punctuating the tale of Gotham City’s resident ghost chasers. Continue reading →
Today, Patrick and Taylor are discussing Gotham by Midnight 10, originally released October 28th, 2015.
Patrick: Opinions very pretty wildly on whether or not Quentin Tarantino’s contribution to Grindhouse, “Death Proof,” works. It’s a talky flick, even by Tarantino’s standards, and the film’s sharp divide between two discrete halves makes it kind of an endurance test for the audience. By the time the movie reaches the final chase sequence, viewers are either totally bored or totally invested in the characters and the mythology. Those that invested during the first 80 minutes are rewarded with a harrowing vehicular action sequence, which would no doubt be impressive on it’s own, but which means tremendously more for all the groundwork laid before it. Gotham by Midnight 10, continues the talkiness of the interrogation-heavy ninth issue, but ultimately rewards them with — you guessed it — a thrilling car chase. It’s a testament to Juan Ferreya’s impeccable visual storytelling skills that this sequence it’s every bit as explosive and exciting as the most white-knuckle chase scene in the movies.
Today, Michael and Taylor are discussing Gotham by Midnight 9, originally released September 23rd, 2015.
Michael: Though Sergeant Rook came knocking on their door back in issue 1, Jim Corrigan and the rest of the Midnight Shift finally have to answer for their mysterious dealings in Gotham by Midnight 9. Rook tears through their station house for any potential evidence against the Midnight Shift while Corrigan and Lisa Drake are poked and prodded by Internal Affairs in their interrogation rooms. Both Corrigan and Drake go a few round with their respective interrogators without breaking a sweat – they are seasoned cops who how to play the game. The cops start leading Corrigan to the conclusion that he is the Spectre and that he knowingly chooses the Spectre’s victims. Needless to say Corrigan becomes agitated and the Spectre takes control, killing the two cops. The kicker is that Spectre tells Corrigan that the interrogators were right – Corrigan DOES pick the victims.