Today, Patrick and Taylor are discussing Gotham by Midnight 10, originally released October 28th, 2015.
Patrick: Opinions very pretty wildly on whether or not Quentin Tarantino’s contribution to Grindhouse, “Death Proof,” works. It’s a talky flick, even by Tarantino’s standards, and the film’s sharp divide between two discrete halves makes it kind of an endurance test for the audience. By the time the movie reaches the final chase sequence, viewers are either totally bored or totally invested in the characters and the mythology. Those that invested during the first 80 minutes are rewarded with a harrowing vehicular action sequence, which would no doubt be impressive on it’s own, but which means tremendously more for all the groundwork laid before it. Gotham by Midnight 10, continues the talkiness of the interrogation-heavy ninth issue, but ultimately rewards them with — you guessed it — a thrilling car chase. It’s a testament to Juan Ferreya’s impeccable visual storytelling skills that this sequence it’s every bit as explosive and exciting as the most white-knuckle chase scene in the movies.
Today, Michael and Taylor are discussing Gotham by Midnight 9, originally released September 23rd, 2015.
Michael: Though Sergeant Rook came knocking on their door back in issue 1, Jim Corrigan and the rest of the Midnight Shift finally have to answer for their mysterious dealings in Gotham by Midnight 9. Rook tears through their station house for any potential evidence against the Midnight Shift while Corrigan and Lisa Drake are poked and prodded by Internal Affairs in their interrogation rooms. Both Corrigan and Drake go a few round with their respective interrogators without breaking a sweat – they are seasoned cops who how to play the game. The cops start leading Corrigan to the conclusion that he is the Spectre and that he knowingly chooses the Spectre’s victims. Needless to say Corrigan becomes agitated and the Spectre takes control, killing the two cops. The kicker is that Spectre tells Corrigan that the interrogators were right – Corrigan DOES pick the victims.
Today, Spencer and Michael are discussing Batman Eternal 52, originally released April 1, 2015.
People need dramatic examples to shake them out of apathy and I can’t do that as Bruce Wayne. As a man, I’m flesh and blood, I can be ignored, I can be destroyed; but as a symbol… as a symbol I can be incorruptible, I can be everlasting.
Bruce Wayne, Batman Begins
Spencer: Throughout all of the many different storylines in Batman Eternal, one theme has steadily built under the title’s surface: the idea of Batman’s legacy. While it was never something addressed all that directly (at least until R’as al Ghul flat out asked “Is Batman eternal?” a few weeks ago), the creative bullpen has steadily been building up Batman’s team of allies and investigating just what effect Batman’s presence has had on Gotham City. With this massive weekly series finally coming to an end, Batman Eternal 52 aims to show exactly the power of that symbol on Batman’s chest, and it does so in spectacular fashion, pulling together nearly all the threads that have been cast throughout the last 52 issues into one show-stopping finale. Continue reading →
Today, Drew leads a discussion on Batman Eternal 6, originally released May 14th, 2014.
Drew: Why does society seem to place a premium on auteurism? The vast majority of artforms are highly collaborative, yet we still talk about directors, show-runners, composers, and other creators as if theirs is the only intent that matters. Aside from a few notable exceptions, comics have always been a collaborative medium, but there’s something palpably different about a written-by-committee series like Batman Eternal. Indeed, it seems to have more in common with the conveyer-belt system of network tv than the short-season, tightly controlled cable model, but is that a bad thing?
Today, Shelby and Taylor are discussing Phantom Stranger 2, originally released November 14th, 2012.
Shelby: To me, the Phantom Stranger is a very old-fashioned kind of “hero.” There’s virtually no way to make the hard-boiled, fedora-wearing, mysterious man in the shadows seem like anything but old-fashioned. With his current origin as (probably) Judas Iscariot, he fits into that nebulous, religious category with The Spectre (of God’s Vengeance, for those of you keeping score). Unsurprisingly, he’s in here too; also not surprising, he’s an old-fashioned, hard-boiled detective. So, when Dan DiDio includes these characters with far more contemporary references, like kiddie soccer games and Star Wars quotes, it doesn’t fail so much as it just feels disingenuous.