Category Vertigo

Mar 28 2014

The Sandman Overture 2

sandman 2Today, Shelby and Drew are discussing the The Sandman Overture 2, originally released March 26th, 2014.

Shelby: There are a few dreams I’ve had in my life that I remember very clearly. Once I dreamt I had to go to a new job, and in order to get there I had to swim underwater. On my first day, we’re swimming and swimming, and I’m running out of air but I have to stay behind my guide. Then I woke up gasping; I had been holding my breath in my sleep. Not too long ago, I dreamt I was in a dark room that was even darker near the door. I had to pass through the darkest part of the room to leave, and as I did, two hands shot out of the shadows and grabbed my arms. That was one that had me bolt upright in bed, and then turn on every light in my apartment. I think these dreams stuck with me because there was a sense of reality to them; I was actually holding my breath, I could almost feel the stranger’s hands on my arms. Dreams are like bits of reality spun together to resemble a sort of whole, a feeling that Neil Gaiman and J.H. Williams have somehow captured in their long-awaited second installment of Sandman Overture.

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Mar 21 2014

American Vampire: Second Cycle 1

Alternating Currents: American Vampire 1, Drew and PatrickToday, Drew and Patrick are discussing American Vampire: Second Cycle 1, originally released March 19th, 2014.

The second button literally makes or breaks the shirt, look at it: it’s too high! It’s in no-man’s-land.

Jerry Seinfeld, Seinfeld

Drew: I spend a lot of time (maybe too much) thinking about form in narratives. Why do plot points happen when they do? How are they foreshadowed? How are they recalled? For all of my time and energy spent focused on these questions, however, I don’t have a lot of answers — theories for sure, but no solid explanations. Like, why arch forms are so pleasing to us. The return is an important part of the Heroes’ journey, but I’ve always been more satisfied with the more character-based return, like the Seinfeld quote above. It appears both in the series’ pilot and finale, and while the characters have entered a very different status quo by the series’ end, there’s something incredibly pleasing about the same turn of phrase returning verbatim. I’d like to suggest that it’s because it reinforces some fundamental truth about the characters — such that the very final scene of the very final episode is just as good of an introduction to the characters as the very first scene of the very first episode. That kind of consistency is incredibly difficult in any serialized medium, where the characters may need to settle in a bit before truly becoming themselves (and may change a great deal over the course of the narrative), but writer Scott Snyder manages a similarly impressive reintroduction here at the midpoint of American Vampire. Continue reading →

Mar 11 2014

Trillium 7

trillium 7

Today, Shelby and Patrick are discussing Trillium 7, originally released March 9th, 2014.

Time has stopped before us / The sky cannot ignore us / No one can separate us / For we are all that is left

  The Beginning is the End is the Beginning, Smashing Pumpkins

Shelby: While the execution is a little more angsty than I might prefer at my advanced age of 29, the lyrics to The Beginning is the End is the Beginning from the soundtrack of The Movie Which Shall Not Be Named very well match Jeff Lemire’s penultimate issue of Trillium. More than anything else, the song’s title (as well as its partner, The End is the Beginning is the End) seem to capture Lemire’s whole approach to time and the relationship of William and Nika. It’s an interesting love story that finds its beginning at the end of the universe, possibly at the end of time itself.
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Mar 3 2014

The Wake 6

wake 6Today, Shelby and Scott are discussing The Wake 6, originally released February 26th, 2014.

I’ll always be talking to you, Parker. Always. You just have to listen, honey. You keep listening. You hear me? You keep listening.

Dr. Lee Archer, The Wake 5

Shelby: When faced with the thought of losing a loved one, there’s a lot of comfort to be found in the idea that they will always be there, always watching over you. The knowledge that you are still carrying a part of that person with you, and will always carry it with you, can help you move on. But what if you don’t move on? What if you just instilled that faith in someone watching over you in your children, and they in their children? You’ve basically created a mini religion, where the vague belief that there’s something out there, something more, and maybe if you just keep listening you’ll find it.

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Feb 27 2014

100 Bullets: Brother Lono 8

Alternating Currents: 100 Bullets 8, Drew and PatrickToday, Drew and Patrick are discussing 100 Bullets: Brother Lono 8, originally released February 26th, 2014.

We are what he made us to be. To try and be something else…is the greatest sin of all.

Lono

Drew: I didn’t know religion growing up. My parents never took me to church, and somehow, none of my childhood friends ever went, either. It wasn’t until I entered middle school that I made friends with people of any kind of faith — run of the mill midwest Lutheranism, but they might as well have been the pope in my sheltered mind. Being both 13 and an asshole (I know that seems redundant, but I only grew out of one of those), I enjoyed picking fights with them over simple religious tenants. The simplest — why do bad things happen to good people? — was most commonly answered with the wimpy cop-out of “God works in mysterious ways.” That seems like a simple enough “we’ll never know” (and was probably only ever invoked to get me off their backs), but as with most religious answers, that simplicity masks a world infinitely more complex than the question itself. Is everything that ever happens part of God’s “mysterious” workings? If “bad” things can be part of God’s plan, doesn’t that throw the whole notion of morality out the window? These questions lie at the heart of Brother Lono 8, though the answers Brian Azzarello and Eduardo Risso come up with may not be what anyone suspected. Continue reading →

Feb 25 2014

Fables 138

Alternating Currents: Fables 138, Drew and PatrickToday, Drew and Patrick are discussing Fables 138, originally released February 19th, 2014.

Drew: I know this cements me as a twenty-something white-boy nerd, but I love it when stories get meta. Fiction is full of characters and situations we can relate to, but few themes are as unifying as the love of storytelling itself. Fables has long been a celebration of the power of storytelling — the way it inspires us, challenges us, and teaches us — but in the wrong hands, that power can be dangerous. After all, what is a lie if not a story? It would be easy to ignore the dark side of fiction, but Fables 138 boldly turns away from Rose Red’s Camelot to detail the deceit Geppetto has hidden behind as he works in secret to rebuild his empire.

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Feb 25 2014

The Unwritten Apocalypse 2

unwritten apocalypse 2Today, Patrick and (guest writer) Ryan are discussing The Unwritten Apocalypse 2, originally released February 19th, 2014.

Do you find me sadistic? You know, I bet I could fry an egg on your head if I wanted to right now. No, Kiddo, I’d like to believe that you’re aware enough, even now, to know there’s nothing sadistic about my actions. Maybe toward those other jokers — but not you. No Kiddo. This moment? This is me at my most masochistic.

Bill, Kill Bill

Patrick: People often accuse storytellers of being sadistic. How else could they put the characters we love through such torment over and over again? That’s a weirdly archaic question — one that you’d think readers would be over by now, but not caring about characters is a charge that’s still leveled against writers on a nearly constant basis. George R. R. Martin gets an absolute mountain shit for so liberally (and gruesomely) torturing and killing his characters, and Dan Slott spent the last year receiving death threats and fielding questions like “why does Marvel hate Spider-Man?” The not-so-secret secret is that Martin and Slott actually love their characters, and putting them through the wringer probably hurts the author more than the reader could possibly imagine. It’s a sacrifice to behead the noble lord you’ve invented, it’s a sacrifice to override a hero’s good essential nature when you’ve worked so hard to cultivate it. In the world of The Unwritten, where fictions are made reality (or… maybe the other way ’round…), that sadomasochist is right there in the narrative, and he refuses to let the suffering end.

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Feb 18 2014

Astro City 9

astro city 9Today, Greg and Shelby are discussing Astro City 9, originally released February 12th, 2014.

Greg: I don’t know where I stand on free will versus fate. Sometimes the idea of everything happening for a reason brings me comfort; sometimes the idea of me being the only author of my universe does. This type of unsettled philosophical flip-flopping (phlip-phlopping?) may suit me in my regular life just fine, but in fiction, we often demand clear lines drawn in the sand. While this latest issue of Astro City may not be this specific (probably wisely), it does delineate what it wants to do stronger than previous Winged Victory issues, to highly effective results.

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Feb 6 2014

Trillium 6

trillium 6

Today, Shelby and Scott are discussing Trillium 6, originally released February 5th, 2014. Shelby: I’ve lived alone for about 3 years. It’s not always the easiest thing to do; sometimes you want more than anything to have some other person around. It doesn’t have to be someone you talk to, or even know. There’s just something about the presence of another person that is comforting. Now, luckily, I have dear friends who live pretty close, so whenever I get that urge to talk to someone other than a houseplant, I can do something about it. Not everyone is so lucky; there are some who, for reasons physical or mental, have no choice but to be alone. Jeff Lemire takes a look at what it is to be alone in his latest installment of Trillium.
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Jan 9 2014

100 Bullets: Brother Lono 7

Alternating Currents: Brother Lono 7, Drew and PatrickToday, Drew and Patrick are discussing 100 Bullets: Brother Lono 7, originally released January 8th, 2014.

…I’m afraid the heart of religion is fear.

Father Manny

Drew: It’s hard to deny the importance of fear. It is the fundamental driver of our sense of self preservation, and may very well be the most basic, universal emotion there is. Of course, that also makes it the easiest to manipulate. Modern life is filled with organizations trying to scare us: corporations want to scare us into buying their products, political parties want to scare us into electing their candidates — but none of those organizations are about fear in quite the same way that religion is. I’m not just being cynical (and I don’t think Brian Azzarello or Father Manny is when he makes the above statement) — underneath all of that scary stuff about hell and sin is an elemental fear of the unknown: what if our ignorance of things we couldn’t possibly know (i.e. the meaning of life, the existence of a creator, etc.) was bad? Brother Lono 7 finds almost every character confronted by some unknown entity, and the results are decidedly bad for all of them. Continue reading →