This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
It’s easy to feel optimistic at the start of Outcast 30 — Simon and Kyle have just discovered a new Outcast, Daphne, and they all seem stronger than ever. Or, they will be, but right now they’re exhausted after clearing out a huge safehouse for the merge (or the possessed — we need something to call these antagonists). There’s a bit of tension as Kyle has to convince his family to take in a complete stranger, but even the resolution of that is played for maximum hopefulness, as both Simon and Amber comment on how much stronger they feel in Daphne’s presence. It’s almost enough to feel like they might be in a position of strength — especially after the way last month’s issue ended. Continue reading →
Today, Ryan D. and Drew are discussing Outcast 26, originally released March 29th, 2017. As always, this article contains SPOILERS.
Just when they think they have the answers, I change the questions.
“Rowdy” Roddy Piper
Ryan D: If you are writing a serialized work of fiction — especially one which you plan to keep going for an extended period of time — then you must ask yourself: how do I release information to my audience? Questions proposed by the initial thesis of a work (i.e. “why would a man dress up like a bat to fight crime?”) need to be answered eventually for the readers’ intellectual illumination; however, if you answer these questions too quickly without supplying new ones (i.e. “what happens when this bat vigilante tries to take on an apprentice?”), then there’s no way your story can go for more than a few chapters. In Outcast 26, Robert Kirkman, who has written at this point 165 issues of his most commercially successful series The Walking Dead, again proves his ability to sustain an interesting initial concept by supplying the audience with nourishing answers before shifting the questions in a way which makes me keen for more. Continue reading →