This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
It’s easy to feel optimistic at the start of Outcast 30 — Simon and Kyle have just discovered a new Outcast, Daphne, and they all seem stronger than ever. Or, they will be, but right now they’re exhausted after clearing out a huge safehouse for the merge (or the possessed — we need something to call these antagonists). There’s a bit of tension as Kyle has to convince his family to take in a complete stranger, but even the resolution of that is played for maximum hopefulness, as both Simon and Amber comment on how much stronger they feel in Daphne’s presence. It’s almost enough to feel like they might be in a position of strength — especially after the way last month’s issue ended. Continue reading →
Today, Ryan D. and Drew are discussing Outcast 26, originally released March 29th, 2017. As always, this article contains SPOILERS.
Just when they think they have the answers, I change the questions.
“Rowdy” Roddy Piper
Ryan D: If you are writing a serialized work of fiction — especially one which you plan to keep going for an extended period of time — then you must ask yourself: how do I release information to my audience? Questions proposed by the initial thesis of a work (i.e. “why would a man dress up like a bat to fight crime?”) need to be answered eventually for the readers’ intellectual illumination; however, if you answer these questions too quickly without supplying new ones (i.e. “what happens when this bat vigilante tries to take on an apprentice?”), then there’s no way your story can go for more than a few chapters. In Outcast 26, Robert Kirkman, who has written at this point 165 issues of his most commercially successful series The Walking Dead, again proves his ability to sustain an interesting initial concept by supplying the audience with nourishing answers before shifting the questions in a way which makes me keen for more. Continue reading →
Today, Patrick and Greg are discussing Outcast 2, originally released July 30th, 2014.
Patrick: I like to think of myself as a pretty mild-mannered, in-control kind of guy. One of the things I pride myself on is my skill for conflict resolution — and as a cornerstone of that, my communication skills. I sincerely believe that just about any conflict can be ameliorated with enough patience, understanding and communication. That being said: I once punched my friend Jeff in the stomach. Straight up stocked him in the gut. I was mad about something — who even cares what — and rather than make him understand that I was upset, I just hit him. I was twelve years old at the time, and I’ve passed so many peaceful years since then, that tend to think of that person that hit Jeff as “not really me.” That was someone else’s behavior. It’s the same thing I think about the version of me that used to drink to the point of blacking out, and vomiting in the bed (only happened once, thank goodness). That wasn’t Patrick, that was drunk-Patrick, which is just a different version of “not really me.” While the first issue of Outcast settled very neatly on a question of faith, the second issue is interested in these ideas of fault and identity. Continue reading →
Today, Scott and Drew are discussing Outcast 1, originally released June 25th, 2014.
We want to trust. We want to have faith…in everything. That’s who we are.
Reverend Anderson, Outcast 1
Scott: Faith is a complicated word. On it’s own, it’s almost inseparable from religious connotation. But I use the word frequently without giving any thought to God or the doctrines of any church. I ask people to have faith in me. I proclaim my faith in baseball teams and film directors. I advocate being faithful in relationships, and I refer to my morning coffee — and the trip to the bathroom it induces (indeuces?) — as “Old Faithful” (I think because of this). Sometimes there’s weight behind the word, but often there isn’t. It’s a word that probably suffers from overuse. Like Reverend Anderson suggests in this first issue of Outcast, I want to have faith in everything, but maybe that’s foolish. Writer Robert Kirkman is determined to make everyone think about faith, to examine the forces behind what they believe and why they believe it. With the help of artist Paul Azaceta, he’s crafted a compelling start to this story, as thought-provoking as it is creepy. Continue reading →