This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk.
The ends of long creator runs in comics are a strange thing — an ending that isn’t an ending, a goodbye that isn’t a goodbye — but are also relatively commonplace. Indeed, those “final issues” are common enough to create a kind of map of morphologies, from those that send the characters in bold new directions to those that more or less put things back to neutral. One of the most common features, though, is that writers step out from behind the curtain to acknowledge their own departure. Some do this in a self-consciously postmodern way (a la Animal Man 26, excerpted above), but any hint of goodbye from the creative team breaks the fourth wall at least a little. We’ve written about plenty of those final issues over the years, but none quite as final as Invincible Iron Man 600, which isn’t just the finale of Brian Michael Bendis’s three-year run with the series, but of his 18-year run with Marvel. That is, he’s not just saying goodbye to the cast of Invincible Iron Man, but the Marvel Universe as a whole, which demands some kind of acknowledgement, which Bendis of course puts his trademark spin on. Continue reading →
Today, Spencer and Shelby are discussing Indestructible Hulk 19, originally released February 26th, 2014.
Spencer: Our heroes’ greatest enemies are often their polar opposites: While Batman is a dark, brooding creature fighting for justice, his nemesis is a silly-looking clown obsessed with evil; while Superman is the most human alien around, Lex Luthor has foresaken his humanity to stroke his ego; while the Flash always looks forward, the Reverse Flash is caught up in his own past. In Indestructible Hulk 19 writer Mark Waid and his expansive team of artists provide the Hulk with an opposite of his own: while the Hulk is fueled by his rage, Jessup gains power from stealing other people’s anger. Continue reading →