Deadpool is Back to Merc’ing in Deadpool 2

By Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Deadpool is often characterized as the bane of the superhero community’s existence: he’s the last guy that they want to ask for help. That said, the Avengers set must derive some guilty pleasure when they get to cut loose and rip Wade Wilson’s regenerative body apart. At least, that’s what I gather from Skottie Young and Nic Klein’s Deadpool 2. Continue reading

Tony is the Team in Tony Stark Iron Man 1

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There’s no “i” in “team”.

Traditional

Tony Stark is a selfish jerk. It’s one of the things we like best about him! But there’s no denying that his success as Iron Man is contingent on the hard, capable work of thousands of employees, and countless robots and A.I. systems. As writer Dan Slott and artist Valerio Schiti take the Iron reins, they pitch Iron Man as a team venture, while casually undermining the autonomy of every individual on the team. Aside, of course, from Tony Stark. Tony remains a singular genius, more of a puppeteer than a team leader. Continue reading

Science and Magic Reconciled in Doctor Strange 1

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

For some, there is a fine line to be drawn between the science fiction and fantasy genres. The former often focuses on technology and space travel while the latter often takes place on Earth-like planets and features magic, and it’s easy to see why the twain should never mix. While these differences are stark, many have come to recognize that enough similarities exist between the two for them to be clumped into one genre called “speculative fiction.” The Marvel Universe, with its huge amount of both space-age technology and mystical powers, certainly belongs in this classification. While this hasn’t hasn’t always been an easy mixing, in Doctor Strange 1 it not only works, but is explained elegantly. Continue reading

A Big Goodbye in Invincible Iron Man 600

by Drew Baumgartner

Invincible Iron Man 600

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk.

Grant Morrison Animal Man

The ends of long creator runs in comics are a strange thing — an ending that isn’t an ending, a goodbye that isn’t a goodbye — but are also relatively commonplace. Indeed, those “final issues” are common enough to create a kind of map of morphologies, from those that send the characters in bold new directions to those that more or less put things back to neutral. One of the most common features, though, is that writers step out from behind the curtain to acknowledge their own departure. Some do this in a self-consciously postmodern way (a la Animal Man 26, excerpted above), but any hint of goodbye from the creative team breaks the fourth wall at least a little. We’ve written about plenty of those final issues over the years, but none quite as final as Invincible Iron Man 600, which isn’t just the finale of Brian Michael Bendis’s three-year run with the series, but of his 18-year run with Marvel. That is, he’s not just saying goodbye to the cast of Invincible Iron Man, but the Marvel Universe as a whole, which demands some kind of acknowledgement, which Bendis of course puts his trademark spin on. Continue reading

A Bait-and-Switch in Hunt for Wolverine: Adamantium Agenda 1

By Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There’s a joke amongst fans that if a team exists in the Marvel Universe, Wolverine has been a part of it. This is an exaggeration — it’d be funny to see him joining up with the Champions or Young Avengers, but it hasn’t happened yet — but only slightly. Logan’s prolific stature in the Marvel Universe is what allows for an event like Hunt for Wolverine, which rounds up as many characters with connections to Logan as possible, no matter how tangential, from every corner of Marvel’s vast universe. It’s a bit of a bait-and-switch, as bringing in all these characters has so far (in the two issues of Hunt for Wolverine thus released) led to stories that are rather light on Wolverine himself. Tom Taylor and R.B. Silva lean into that idea in Hunt for Wolverine: Adamantium Agenda 1, pulling a bait-and-switch on their cast as well as their readers. Logan’s former New Avengers teammates think they’re rescuing Wolverine(‘s genetic code), but it turns out they’ve stumbled into a very different, much more personal scenario. Continue reading

Generations Iron Man and Ironheart 1: Discussion

by Taylor Anderson and Patrick Ehlers 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Taylor: The future is going to be weird, man. How do I know? Every day I stand before 25 middle schoolers and attempt to teach them important stuff about books. Frequently, I’ll make analogies that are too out of date for them to get or, more embarrassingly, I’ll pull a “back in my day” story out of the playbook. Thinking about the difference from when I was in middle school to the kids I teach today is a lesson in how fast things change. These kids (see, I’m already so old I can’t help it!) have never known a world without cell phones, the internet, and Justin Bieber. Generations: Iron Man and Ironheart 1 understands that change happens quickly, just as I do, but the world that the issue imagines is beyond anything I thought imaginable. Continue reading

Secret Empire 6: Discussion

by Ryan Mogge and Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Ryan: Wednesday is the worst day of the week for soap operas. The storylines all build to a Friday afternoon cliffhanger, so by mid week you are still wrapping up the fallout of last week and are too early for this week’s storylines to be very juicy. Nick Spencer and Leinil Francis Yu are mid-run in Secret Empire 6, and rather than an issue with a self-contained arc that can be completed, we get bits and pieces of several arcs, with only limited links holding them together. Continue reading

The Failings of Friendship in Desperate Times in Secret Empire 5

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“The power of friendship” is a popular trope in most media. The idea that most situations can be overcome through the bonds we share with our friends is powerful in a lot of ways, but it’s one that never really seems applicable to war or espionage stories like Secret Empire. Make no mistake, Hydra is not going to be defeated by friendship or optimism alone, but in Secret Empire 5, Nick Spencer, Rod Reis, Andrea Sorrentino, Joshua Cassara, and Rachelle Rosenberg do explore the effect pre-existing relationships have on their conflict. It’s not always a good one. Continue reading

Secret Empire 4: Discussion

by Patrick Ehlers and Ryan Mogge

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Patrick: The Secret Empire epic drives on an engine powered by dramatic irony. From the second Steve’s first “Hail Hydra” was uttered, the audience knew more about the threat the Marvel Universe faced better than any of its inhabitants. It is serendipitous (in the worst possible way) that the current political climate in the United States has made readers hyper-aware of this irony, as we’re able to draw obvious parallels between the rise of Hydra and the rise of white nationalism. We don’t need to parse out the rhetorical devices Steve uses to justify his abuses of power — we see them demonstrated by our president every day. Issue 4 doubles down on the practice of illustrating dramatic irony, giving the audience far more information than any of the characters are ever afforded. The result is an unsettling exercise in moral relativism. Continue reading

Serve the Community, or Save the World? The Dilemma of Captain America: Sam Wilson 23

by Ryan Mogge

Captain America Sam Wilson 23

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The central conflict of Captain America: Sam Wilson 23 is not between the Avengers and the Mole Man. Instead, it’s a reverberation of the themes that Nick Spencer has been exploring throughout the series’ run. Sam Wilson is a hero because he believes in helping people. His work begins at a human level, functioning as part of a community. By contrast, the Avengers present a plan to save the world. Their goal to rescue Steve Rogers using the cosmic cube could alter the course of human history. Continue reading