Patrick: A lot has been made of Hollywood’s apparent inability to adapt Wonder Woman for the screen. Is that driven by the sexism inherent in action film-making? Probably, in part. But Diana, Princess of the Amazons, suffers from a pretty severe case of “what the hell is she about?” We have easily understandable slug lines for just about any other bankable superhero: Batman is the mortal knight of vengeance; Superman is invincible alien boy scout, etc. There’s a how and a why expressed in both of those descriptions. Those attitudes have aged well, but for some reason, the essential nature of Wonder Woman is harder for creators to assert in perpetuity throughout the decades. What Brian Azzarello and Cliff Chiang have done in their 37 (and a half) issues of Wonder Woman is reassert just who this character is, and why her fundamental qualities are every bit as iconic as truth, justice and the American way. Continue reading
Today, Drew and (guest writer) Taylor Anderson are discussing Wonder Woman 0, originally released September 19th, 2012. Wonder Woman 0 is part of the line-wide Zero Month.
Drew: There’s a lot we take for granted in art. We accept the two-dimensionality of the canvas or the artificiality of a omniscient narrator as givens. It often takes an artist commenting on the arbitrariness of those boundaries for us to notice them at all, but that in itself has become almost expected. In comics, those expectations manifest in creative layouts and narrative devices, but it’s rarer that a creative team might challenge the arbitrariness of their tone. In Wonder Woman 0, writer Brian Azzarello and artist Cliff Chaing set out to do just that, delivering a brilliant deconstruction of modern comics via an apparent deconstruction of the Silver Age. Continue reading