Today, Spencer and Drew are discussing The Wicked + The Divine 26, originally released February 8, 2017. As always, this article contains SPOILERS.
Spencer: Set in the aftermath of Ananke’s death, “Imperial Phase (Part 1)” has been an arc all about figuring out what to do next. Last month’s cliffhanger finally presented a tangible threat in the form of the Great Darkness (or at least some of its agents), but if you thought that’d be enough to unite the Pantheon against a common enemy, you’d be sadly mistaken. The Wicked + The Divine 26 finds these gods as divided and lost as ever…and perhaps suggests that’s the way they’re meant to be? Continue reading →
Today, Drew and Michael are discussing Black Widow 10, originally released February 8th, 2017. As always, this article contains SPOILERS.
Mordor. The one place in Middle-earth we don’t want to see any closer, and the one place we’re trying to get to.
J.R.R. Tolkien, The Lord of the Rings: The Two Towers
Drew: As far as motivations go, “destroy evil ring” is about as straightforward as it gets. Obviously, there’s a great deal more to Tolkien than his MacGuffins, but I think one of the most elegant ways he complicates that motive is the simple fact that the ring has to be destroyed in Mt. Doom. In this way, each step of they journey brings the ring closer to destruction and closer to falling into Sauron’s grasp. The only thing that could up the tension any further is suggesting that the “secret” plan to destroy the ring is simply part of Sauron’s plan to draw it out. Are they defeating him, or are they doing his work for him? Nat finds herself in a similar situation in Black Widow 11, as she apparently delivers an equally devastating MacGuffin to Recluse. Continue reading →
Today, Patrick and Spencer are discussing Paper Girls 11, originally released February 1, 2017. As always, this article contains SPOILERS.
1. an unexpected punch or blow.
Patrick: There’s not much that happens in Paper Girls that is expected, so it might be kind of hard to notice when the series is actually delivering unexpected blows. I mean, when you’re tumbling through time and space, what actually counts as “unexpected” anymore? That could be a tension killer, but under the measured eyes of Brian K. Vaughan and Cliff Chiang, a constant stream of sucker punches becomes an unsettling canvas. Continue reading →
Today, Patrick and Spencer are discussing Black Widow 10, originally released January 18, 2017. As always, this article contains SPOILERS.
“Thank you for being a friend.”
–Golden Girls Theme Song
Patrick: In college, I made a friend name Melanie. She was a freshman during my senior year, and she had kind of a tough time adjusting to the more Wisconsonian aspects of her college experience. She was from Portland, Oregon, and between the winters and the culture shock, she couldn’t connect with her classmates very easily. I loved that Melanie could see through the dorky Wisconsin obsessions with the Packers, or cheese, or beer or whatever, but that meant a lot of the ways we connected were extremely cynical. We complained about people together, we came up with strategies for getting each other out of small talk at parties – I’d consider it misanthropic if it weren’t also the thing that bonded us so tightly. We used to exchange birthday cards that read “Happy Birthday you fucking cunt.” Obviously, she’s the only person in the world I’d send that card to. Being friends with Melanie was unlike being friends with anyone else, and it’s important to recognize how unique each friendship is. For me and Melanie, that meant one thing, for Natasha and Bucky it means something else.
Today, Spencer and Drew are discussing The Wicked + The Divine 25, originally released January 4th, 2017. As always, this article contains SPOILERS.
Spencer: There’s been an air of aimlessness to The Wicked + The Divine‘s fifth arc; with Ananke dead, it seems like the Pantheon don’t really know what to do with themselves. This quality is clearly a purposeful choice on Kieron Gillen and Jamie McKelvie’s part, as this entire storyline seems to revolve around figuring out “what comes next?” Issue 25 provides at least one solution (in the most shocking way possible), but what may be more significant is the way it emphasizes — both to the Pantheon and the audience — what questions about the future they should actually be trying to answer in the first place. Continue reading →
You know you shouldn’t judge a book by its cover, but that doesn’t mean you can’t judge the cover on its own merit. Some covers are so excellent that they pack all the drama, excitement and emotion of the whole issue into one succinct image. Sometimes they end up being their own surreal experience. And other times, we’re just exciting to see our favorite heroes kicking ass one more time. These are our top 10 covers of 2016.Continue reading →
Today, Spencer and Patrick are discussing Black Widow 8, originally released November 30th, 2016. As always, this article contains SPOILERS.
Spencer: Natasha’s mission in Black Widow 8 is, ostensibly, to save the Vice-President from an assassination attempt by one of the young Dark Room recruits, yet it’s not really about trying to save the Vice-President; he doesn’t even make an appearance in the issue. Instead, the person Natasha is truly trying to save is the young assassin herself. In a way, by saving her, Natasha can save herself as well. Continue reading →
Today, Drew and Spencer are discussing The Wicked + The Divine 23, originally released November 2nd, 2016. As always, this article contains SPOILERS.
Drew: The epistolary novel — a novel told as a series of documents (letters, newspaper clippings, etc) — presents an intriguing contradiction of allure. The thought of holding “real” evidence of a story brings it closer to us, while their existence distances us from the immediacy of the events they describe. That tradeoff can be mitigated when only a portion of the narrative is epistolary; in presenting both a traditional narrative and physical evidence of that narrative, storytellers can have their cake and eat it too. This is a tactic that is remarkably common in comics, where text and image already freely mix to create illusions of reality in a way that simply isn’t true of prose. Watchmen is obviously the most well-known example of augmenting a traditional comic with epistolary documents, but countless series have employed the technique since. I would argue, however, that none of those examples — including Watchmen — justify the existence of those documents quite as elegantly as The Wicked + The Divine 23. Continue reading →
Today, Taylor and Spencer are discussing The Unworthy Thor 1, originally released November 2nd, 2016. As always, this article contains SPOILERS.
Taylor: What makes someone worthy to wield Mjolnir? Is it their inherent goodness? Their capacity to do good? Or is it something else? Ever sense the Odinson had a terrible secret whispered into his ear this has been the question on everyone’s mind, for if a god isn’t good enough to be Thor, then who is? By now we know that Jane Foster is, but the reasons for her being chosen by the hammer are only now beginning to reveal themselves and even then mystery still abounds when it comes to the universe’s most powerful hammer. The Unworthy Thor, as its name suggests, follows the man who was once worthy of Mjolnir but no longer is. Could it be that in following this outcast, the answer to one of comic’s most tantalizing questions will be answered?
Today, Taylor and Spencer are discussing The Mighty Thor 12, originally released October 19th, 2016. As always, this article contains SPOILERS.
Taylor: Even though it’s easy to recognize a fairy tale or myth, it’s hard to explain what sets them apart and makes them so recognizable compared to other forms of storytelling. True, there are the usual suspects that jump out to tell us that what makes a story a myth is a moral, an explanation of how things came to be, or supernatural creatures. More than these, however, there’s something about the structure of a myth or fairy tale that makes it instantly recognizable as such, something intrinsic and deep down that on some level defies explanation. So, even though it’s hard to say exactly what makes these stories work the way they do, they simply cannot be misunderstood for anything else. And in just this way, there’s no denying that The MightyThor 12 is a myth in all the best ways possible.