Patrick: A lot has been made of Hollywood’s apparent inability to adapt Wonder Woman for the screen. Is that driven by the sexism inherent in action film-making? Probably, in part. But Diana, Princess of the Amazons, suffers from a pretty severe case of “what the hell is she about?” We have easily understandable slug lines for just about any other bankable superhero: Batman is the mortal knight of vengeance; Superman is invincible alien boy scout, etc. There’s a how and a why expressed in both of those descriptions. Those attitudes have aged well, but for some reason, the essential nature of Wonder Woman is harder for creators to assert in perpetuity throughout the decades. What Brian Azzarello and Cliff Chiang have done in their 37 (and a half) issues of Wonder Woman is reassert just who this character is, and why her fundamental qualities are every bit as iconic as truth, justice and the American way. Continue reading
Scott: What works out for one person often effects someone else negatively. Recently, I was getting ready to go on a long trip, so I lined up a subletter to stay in my apartment. It was going to be perfect. Until, that is, she got an offer to house-sit somewhere else and backed out of our deal. It worked out well for her, but it left me scrambling. What I’m trying to say is, never celebrate a plan until it’s complete, because it can always be derailed by someone else’s plan. I’m not trying to advocate Murphy’s Law or anything, but as Wonder Woman 28 teaches us, most plans are foiled, and even when your goal is within grasp it can still blow up in your face.
Today, Drew and Scott are discussing Wonder Woman 23.2: First Born, originally released September 25th, 2013. This issue is part of the Villain’s Month event. Click here for our Villains Month coverage.
What comes before anything? What have we always said is the most important thing?
Michael Bluth, Arrested Development
Drew: Family. What would we be without them? No, seriously: they’re there from the start, and they have a profound effect on the people we eventually become. For better or for worse, who they are and how they interact with us largely shape who we are and how we act. The same can be said of who they aren’t — perhaps in spite of what we want them to be — which can have just as significant effect on the people we become. As a character, the First Born is far more defined by the absence of his family, but how that manifests is just as subtle and specific as any other family dynamic. Continue reading