by Patrick Ehlers
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Rocket is an amazing series. Adam Gorham’s artwork is evocative, gritty and ambitious in a way that is simultaneously grounded and totally off the wall. There’s also the novelty of the persistent gutter narration, lending the whole thing a literary noire vibe that seldom makes its way into such a strongly visual medium. One aspect of this series I’ve seldom found an opportunity to praise is the rhetorical strength of Al Ewing’s writing. The story itself is compelling, but I’m referring to the moment-to-moment use of language and how Ewing uses tonal shifts, word play, and rhetorical flourishes to illustrate Rocket’s emotional journey. And this issue takes us on one hell of a journey. Continue reading