Rhetoric Paints the Picture in Rocket 6

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Rocket is an amazing series. Adam Gorham’s artwork is evocative, gritty and ambitious in a way that is simultaneously grounded and totally off the wall. There’s also the novelty of the persistent gutter narration, lending the whole thing a literary noire vibe that seldom makes its way into such a strongly visual medium. One aspect of this series I’ve seldom found an opportunity to praise is the rhetorical strength of Al Ewing’s writing. The story itself is compelling, but I’m referring to the moment-to-moment use of language and how Ewing uses tonal shifts, word play, and rhetorical flourishes to illustrate Rocket’s emotional journey. And this issue takes us on one hell of a journey. Continue reading

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Rocket 1

Today, Taylor and Spencer are discussing Rocket 1, originally released May 10th, 2017. As always, this article contains SPOILERS.

Taylor: Rocket Raccoon is a walking, talking lesson in juxtaposition. At first glance, he looks likes one the lovable characters from the Looney Tunes gang. After all, he’s an anthropomorphic, talking woodland creature. However, this fuzzy exterior conceals his true nature as a loudmouthed, gun-crazy thief. If this contrast isn’t enough, he is frequently paired with the other Guardians of the Galaxy, a group that frequently saves the universe purely because it’s the right thing to do. This contrasts mightily with Rocket’s typical motivation of doing whatever job comes his way so long as the price is right. That being said, the juxtaposed nature that is intrinsic to Rocket should take center stage in a comic where he is the star. So is that the case in the latest series to bare his name?

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