This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
O, it is excellent
To have a giant’s strength, but it is tyrannous
To use it like a giant.
William Shakespeare, Measure for Measure
We tend to define power optimistically — we might list the duties of say, the President of the United States, for example, with the expectation that they’ll wield their power responsibly. But there’s another (perhaps more timely) way to define power, not by the amount of good it allows someone to do, but by the amount of harm it allows someone to inflict. Try as we (or Uncle Ben) might to link the two, power and responsibility are independent variables. That is, “With great power must also come great responsibility” isn’t a statement of some inviolable rule of the world, but a goal to strive towards. That’s why the “must also” part is so essential (and so missed from Sam Raimi’s Spider-Man) — it makes it clear Uncle Ben isn’t just stating a fact. Indeed, that power can be separated from responsibility is precisely what this first arc of Nick Spencer and Ryan Ottley’s Amazing Spider-Man has focused on, demonstrating the inefficacy of either without the other. Continue reading →
This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!
Drew: The first time travel story I remember experiencing is Teenage Mutant Ninja Turtles III. Its time-travel mechanic was as logical as it needed to be to satisfy six-year-old me, but it left me with some weird assumptions about how time worked. Specifically, the way the movie intercuts between its present-day and feudal Japan scenes convinced me that the past is playing out in parallel with the present. That is, even though time travel is possible, if I travel to the past, wait five minutes, then return to the present, I can only arrive five minutes after I left. It makes no logical sense, but continues to be a popular feature of time travel stories in order to allow them to follow separate storylines in separate time periods simultaneously. Indeed, it’s a technique employed judiciously in Green Valley 9, as Max Landis and Giuseppe Camuncoli delight in touching upon just about every time travel trope as they draw the series to a close. Continue reading →